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The Dark Knight Rises (Original Motion Picture Soundtrack) [Deluxe Version with 3 Bonus Tracks]

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Opinião do álbum

While Hans Zimmer's music for Christopher Nolan's Batman movies aren't as high-concept as some of his other scores, such as Inception or Gladiator, they're just as artfully done, and The Dark Knight Rises is no exception. Zimmer ties the music for the final installment of Nolan's Batman trilogy to his previous scores, but allows these pieces to have their own flourishes as well: "A Storm Is Coming" nods to the churning strings of the theme used since Batman Begins, but "Nothing Out There" adds an almost subliminal pulsing synth that grows stronger as the score unfolds, peaking with "Imagine the Fire"'s climax of choral vocals and strings. Meanwhile, heavy brass cuts through most tracks like a bat signal piercing through the clouds, nowhere more clearly than on "Gotham's Reckoning." Yet Zimmer doesn't just pile on the drama; he knows when to have his cues crash into a scene and when they should get out of the way. The drums, brass, and strings reach near-claustrophobic levels on "The Fire Rises," but they also retreat, roil, and then thunder to a close in malevolent and majestic fashion. Zimmer also finds room for some more experimental touches, as on "Despair," where the whooshing percussion sounds like a cape sweeping through the air or something bursting into flames. And while most of these cues tower like Gotham skyscrapers, "Mind If I Cut In?" is just as remarkable for its delicate melody and subtle percussion. Fittingly for the last installment of Nolan's — and thus Zimmer's — interpretation of Batman, many of the track titles wax philosophical ("Why Do We Fall?"), and the score's emotional range is narrow but deep, spanning the mournful "Born in Darkness" and the somber "Necessary Evil," and culminating with "Rise," which mingles haunting strings and vocals with formidable rhythms as the credits roll. While The Dark Knight Rises closes the book on Batman for Zimmer and Nolan, it's just another chapter in their thriving creative partnership.

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The Music Rises

This album is everything a fan of this trilogy would be waiting for--the fitting score for the conclusion of The Dark Knight saga. It evokes in me feelings first arisen by the soundtracks of Batman Begins and The Dark Knight, not least because it revisits some of those themes, whilst bringing something else to the table. I can not wait to hear it as I watch the film, however, it is energizing and moving on its own, as the scores of great films should be. Dark, angry, angsty, charming, compassionate, hopeful, motivating, the music rises to the challenge.

Um som excepcional para um filme incrível

Mais uma vez o trabalho de Hans Zimmer surpreende, não pela qualidade porque isso todos nós já esperávamos, mas pela sobriedade elegante do som.
Não é somente uma trilha sonora de um filme. É um trabalho primoroso pensado por um artista e executado de forma cativante e arrebatadora. Vale a pena se deliciar com essas músicas, mas somente conseguirão apreciar a beleza de "The Dar Knight Rises" aqueles que tenham um gosto irrestrito por música.

Perfeito

Tenho quase todas as trilhas do Hans, mas esta é com certeza a melhor. Você se sente dentro do filme.

Biografia

Nascido em: September/09/1957 em Frankfurt, Germany

Gênero: Trilha sonora

Anos em atividade: '70s, '80s, '90s, '00s, '10s

One of the most prolific film composers of the late 20th and early 21st centuries, Hans Zimmer was born September 12, 1957 in Frankfurt, Germany; after relocating to London as a teen, he later wrote advertising jingles for Air-Edel Associates, and in 1980 collaborated with the Buggles on their LP The Age of Plastic and its accompanying hit "Video Killed the Radio Star." A stint with Ultravox followed before Zimmer next surfaced with the Italian avant-garde group Krisma; he then formed a partnership...
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