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Opinião do álbum

For his recording debut, Ivo Perelman performs seven folk melodies, five of which are traditional Brazilian children's songs. A powerful tenor player whose style and sound at times recalls Albert Ayler (without the vibrato), Gato Barbieri, and Clifford Jordan, Perelman uses the simple melodies as points of departure and places to land after his intense and fairly free but melodic improvisations. The first three songs co-feature vocalist Flora Purim, who is at the top of her game on the haunting "Nesta Rua" and the lighthearted but explorative "O Cravo e a Rosa." Two of the other pieces have Perelman dueting with pianist Eliane Elias. The two bassists, John Patitucci and Buell Neidlinger, work together quite well. Don Preston takes a wild synthesizer solo on "O Cravo e a Rosa," and both drummer Peter Erskine and percussionist Airto are colorful in support. But the main star throughout the CD is Ivo Perelman, whose distinctive sound, relative ease in the falsetto register, and creative spirit were already quite impressive at this early point in his career.


Nascido em: January/01/1961 em Sao Paulo, Brazil

Gênero: Jazz

Anos em atividade: '90s, '00s

As of 2001, tenor saxophonist Perelman had put out in the neighborhood of 20 albums as a leader since his recording debut in 1989. A remarkable number, considering Perelman plays a kind of music (free jazz) that has almost no viability as a commercial product. How he managed to convince so many small, independent labels to record him with such great frequency is a mystery. It's not that Perelman is not a fine player — he plays well in the heavily distorted, abstract-expressionist vein first...
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Ivo, Ivo Perelman
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