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Sonny Stitt, Bud Powell, J.J. Johnson

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Opinião do álbum

Three classic Sonny Stitt sessions from 1949-50 are heard here in full. Stitt, who had been out of action due to his "personal problems," not only made a full-fledged comeback on these dates but debuted on (and stuck exclusively to) tenor rather than playing alto, where he was being assailed as a Charlie Parker imitator. He is featured on eight titles from a pair of quartet dates with pianist Bud Powell (who himself is in top form), bassist Curly Russell, and drummer Max Roach. In addition, Stitt is a sideman on a quintet outing headed by trombonist J.J. Johnson and also including pianist John Lewis, bassist Nelson Boyd, and Roach. Together the latter band performs three of Johnson's originals plus the original version of Lewis' "Afternoon in Paris"; all four titles are heard in two versions apiece. Highly recommended for all serious bop collections.

Biografia

Nascido em: February/02/1924 em Boston, MA

Gênero: Jazz

Anos em atividade: '40s, '50s, '60s, '70s, '80s

Charlie Parker has had many admirers and his influence can be detected in numerous styles, but few have been as avid a disciple as Sonny Stitt. There was almost note-for-note imitation in several early Stitt solos, and the closeness remained until Stitt began de-emphasizing the alto in favor of the tenor, on which he artfully combined the influences of Parker and Lester Young. Stitt gradually developed his own sound and style, though he was never far from Parker on any alto solo. A wonderful blues...
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