iTunes

Abrindo a iTunes Store.Se o iTunes não abrir, clique no ícone de aplicativo do iTunes no dock ou área de trabalho do Windows.Indicador de progresso
Abrindo a iBooks Store.Se o iBooks não abrir, clique no app iBooks em seu dock.Indicador de progresso
iTunes

O iTunes é a maneira mais fácil de organizar e aumentar sua coleção de mídia digital.

Não foi possível encontrar o iTunes no seu computador. Para ouvir uma prévia e comprar música First Nation de @artistName[?]

Já tem o iTunes? Clique em Já tenho o iTunes para abri-lo agora.

Eu tenho o iTunes Download grátis
iTunes para Mac + PC

First Nation

Abra o iTunes para ouvir prévias, comprar e baixar música.

Opinião do álbum

Equally primal, hypnotic, and delicate, First Nation's self-titled debut album expands on the sound they set forth on the Coronation single. There's a field recording intimacy to their experimental folk-rock (which makes their signing to Animal Collective's Paw Tracks label all the more understandable), particularly on the opening track, "Awakes," where the all-female trio's wordless vocalizing and layered percussion does indeed sound like a tribe or a herd of animals shaking off slumber. Even when they sing actual words, as on "Monkey," they still sound more than a little wild. Though Nina Mehta's and Kate Rosko's voices are individually delicate and even a bit on the thin side, they sound strong and tribal when they sing together, and use the contrasts in their tones (one has a sensually smoky voice much like Bardo Pond's Isobel Sollenberger, while the other has a high, keening timbre akin to Kazu Makino of Blonde Redhead) with interesting harmonic and dissonant effects, particularly on "Omen" and "You Can Be." Throughout First Nation, the band uses the same simple elements — loping, prickly guitars, subtle polyrhythms, massed vocals, and the odd keyboard or flute — with remarkably complex and versatile-sounding results. "Female Trance," arguably one of First Nation's most immediate tracks, is far from gentle and passive; instead, its witty tango beat and snake-charming melody make it more like a spell being cast or a ritual being performed. Meanwhile, "Child's Eyes"' hopeful lyrics ride rippling guitars, and "Swells" throws ominous electronic noises in the mix. While there's definitely an organic ebb and flow to their songs (epitomized by the aptly and playfully named "Cave Jam"), they're remarkably well edited. "Waterfall," the album's final and longest track, is still a relatively short four and a half minutes long. The brevity of their songs, coupled with the elliptical dream logic on which they run, gives First Nation a mesmerizing tension and makes it a self-assured, unique debut.

Biografia

Gênero: Alternativo

Anos em atividade: '00s

Intuitively blending folk, noise, and snippets of pop into an organic, experimental whole, First Nation features singer/guitarists Nina Mehta and Kate Rosko and percussionist Melissa Livaudais. The New York City-based trio got its start when Mehta and Rosko, who had been playing together for a while, began jamming with mutual friend Livaudais (who was formerly a member of Wikkid and also plays in Telepathe). After spending a year practicing and honing their sound — which revolves around layered...
Biografia completa

Clientes também compraram

First Nation, First Nation
Ver no iTunes

Avaliações de clientes

Não recebemos avaliações suficientes para exibir uma média para este item.

Contemporâneos