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The Orchard

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Opinião do álbum

When Ra Ra Riot released The Rhumb Line in 2008, they sounded like a thinking man’s pop band: quirky, melodic, and unconventionally chic, with a small string section that lent a sense of sophistication to the band’s sound. They wrote straightforward songs and performed them with complex arrangements, each member limiting his or her own parts to allow room for the cello, violin, and guitar lines to breathe. On their sophomore effort, the musicians dive a little deeper into intellectual territory. The Orchard is like The Rhumb Line without the poppy emphasis; it’s brainy and classy, and it asks its audience to put on their own thinking caps instead of their dancing shoes. Individually speaking, the bandmates all sound stronger this time around. Bassist Mathieu Santos plays his instrument like he’s part of the string section, darting his way up and down the scale while still rooting the chords, and frontman Wes Miles sings like an indie choir boy raised on Morrissey records. When all the pieces fit together, though, an emphasis is placed on unfamiliar arrangements and moody, introspective song structures, making The Orchard an album that targets the head as much as (if not more than) the heart.


Formado em: January, 2006 em Syracuse, NY

Gênero: Alternativo

Anos em atividade: '00s, '10s

Combining indie rock with chamber pop flourishes (courtesy of a small string section), Ra Ra Riot formed while the band's six members were attending college in Syracuse, New York. Milo Bonacci (guitar), Alexandra Lawn (cello), Wesley Miles (keyboard/vocals), John Pike (drums), Mathieu Santos (bass), and Rebecca Zeller (violin) first came together in January 2006, creating an eclectic sound that allowed them to play alongside the Horrors, Bow Wow Wow, and Someone Still Loves You Boris Yeltsin within...
Biografia completa
The Orchard, Ra Ra Riot
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