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Glasgow Walker

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Opinião do álbum

Following his 1999 collection of cover tunes The Church With One Bell, John Martyn returned with Glasgow Walker, his first recording of new material in four years. An album whose seductive moodiness can either draw you in or drift off into the ether, Glasgow Walker, like much of his recent work, lives and dies on its smoky grooves, ambient loops, and subtle, jazz-inflected instrumentation, as well as Martyn's idiosyncratic vocal delivery. When he does find that right mood or groove, for instance on the entrancing opener "So Sweet" or the slow, sensual R&B of "Wildflower," the result can be riveting, but moments of lukewarm funk, uninspired synth landscapes, and soft material are responsible for the occasional lull in an album that is already laid-back. Still, his successes tend to outweigh the failures. While 90 percent of Glasgow Walker adheres to a similar premise and sound, Martyn tosses a curve with the record's closer, "You Don't Know What Love Is." For a good portion of his career he's toyed with elements of jazz, but here, as with "Strange Fruit" from the previous album, he once again tackles a straightforward jazz classic. Performed with a jazz quintet, "You Don't Know What Love Is" may or may not be a hint at a new direction for Martyn but, as was the case with the venerable Billie Holiday piece, he pulls it off with style and grace. There may be a few tracks that seem to get lost in their own atmosphere, but at its best Glasgow Walker's hypnotic textures ebb and flow around the deliberate rhythms and Martyn's evocative, understated vocal, resulting in a record that's capable of getting under your skin, if you give it the chance.

Biografia

Nascido em: September/09/1948 em New Malden, Surrey, England

Gênero: Cantor/compositor

Anos em atividade: '60s, '70s, '80s, '90s, '00s

Singer/songwriter/guitarist John Martyn was born Iain David McGeachy on September 11, 1948, in New Malden, Surrey, and raised in Glasgow by his grandmother. He began his innovative and expansive career at the age of 17 with a style influenced by American blues artists such as Robert Johnson and Skip James, the traditional music of his homeland, and the eclectic folk of Davey Graham (Graham remained an influence and idol of Martyn's throughout his career). With the aid of his mentor, traditional singer...
Biografia completa
Glasgow Walker, John Martyn
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