Ariel Pink is one of those artists who doesn’t change their style so much as drill deeper into it with every album. Retreating from the studio sound of his recent breakthroughs into the murk of his early recordings (see 2004’s classic The Doldrums), Dedicated to Bobby Jameson is a strange, phantasmagoric experience, by turns creepy (“Santa’s in the Closet”), pretty (“Feels Like Heaven”) and something unsettlingly in-between (“Do Yourself a Favor”). As always, Pink loves a weird joke, but the prevailing mood is one of loss—of hearing something fade away in haunting real time.