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Saturday Nights & Sunday Mornings

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iTunes Review

As suggested by title of the Counting Crows’ first album in six years, Saturday Nights and Sunday Mornings deals in celebration and contemplation. The album begins with the band driving hard; “1492” cruises like Pearl Jam. But by album’s end, singer Adam Duritz is nestled up alongside a piano wondering what it all means (“On A Tuesday Afternoon in Amsterdam Long Ago”) before pulling the band together for one final encore of classic rock togetherness (“Come Around”). The band’s louder moments are a tad brittle and Duritz’s plea for understanding his superstar life in “Los Angeles” a tad self-absorbed, but the band succeeds with the mid-tempo acoustic-based rock that brought them to national attention. “You Can’t Count On Me” has a sweet jangle and “On Almost Any Sunday Morning” perfectly replicates that “Sunday Morning Coming Down” that Kris Kristofferson once eloquently put into song. That’s where Counting Crows deliver on their promise as a no-nonsense band of the people.

Customer Reviews


The more I listen to this, the more I like it. Los Angeles is one of my faves so far!


Formed: August, 1991 in San Francisco, CA

Genre: Rock

Years Active: '90s, '00s, '10s

With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. Only a year earlier, the band was a group of unknown musicians, filling in for the absent Van Morrison at the Rock and Roll Hall of Fame ceremony; they were introduced by an enthusiastic Robbie Robertson. Early in 1993, the band recorded its debut album, August and Everything After, with T-Bone Burnett. Released in the fall, it was a dark and somber record, driven by the morose...
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