25 Songs, 1 Hour, 4 Minutes
Air - A Baroque Journey
Daniel Hope
| TITLE | TIME | ||
|---|---|---|---|
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Chaconne in G Major
By Andrea Falconieri - Daniel Hope, Lorenza Borrani, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass, Stefan Rath & Hans-Kristian Kjos Sorensen
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3:14 | ||
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Suite No. 15 in D Minor for Harpsichord, HWV 447: III. Sarabande
By George Frideric Handel - Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Kristian Bezuidenhout, Stefan Maass & Stefan Rath
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3:06 | ||
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Ricercata Segunda
By Diego Ortiz - Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, Jonathan Cohen, Stefan Maass, Stefan Rath & Hans-Kristian Kjos Sorensen
|
1:25 | ||
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La Suave Melodia
By Andrea Falconieri - Daniel Hope, Jonathan Cohen, Stefan Maass & Stefan Rath
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3:09 | ||
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Passacalio in G Minor
By Biagio Marini - Daniel Hope, Lorenza Borrani, Stewart Eaton, Jonathan Cohen & Kristian Bezuidenhout
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3:37 | ||
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"La Vecchia Sarabanda"
By Nicola Matteis - Daniel Hope, Lorenza Borrani, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass & Stefan Rath
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4:17 | ||
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Canon and Gigue in D Major: I. Canon
By Johann Pachelbel - Daniel Hope, Lorenza Borrani, Lucy Gould, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass & Stefan Rath
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3:40 | ||
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Canon and Gigue in D Major: II. Gigue
By Johann Pachelbel - Daniel Hope, Lorenza Borrani, Lucy Gould, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass & Stefan Rath
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1:24 | ||
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Concerto for Violin concertato, Strings and Basso continuo in A Minor, TWV 51: A1: I. Adagio
By Georg Philipp Telemann - Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Kristian Bezuidenhout, Stefan Maass & Stefan Rath
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2:58 | ||
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Concerto for Violin concertato, Strings and Basso continuo in A Minor, TWV 51: A1: II. Allegro
By Georg Philipp Telemann - Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Kristian Bezuidenhout, Stefan Maass & Stefan Rath
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2:22 | ||
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Concerto for Violin concertato, Strings and Basso continuo in A Minor, TWV 51: A1: III. Presto
By Georg Philipp Telemann - Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Kristian Bezuidenhout, Stefan Maass & Stefan Rath
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1:41 | ||
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Sonata for Violin and Continuo III: Imitazione delle Campane
By Johann Paul von Westhoff - Daniel Hope & Jonathan Cohen
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1:54 | ||
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Ground after the Scotch Humour
By Nicola Matteis - Daniel Hope, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass, Stefan Rath & Hans-Kristian Kjos Sorensen
|
1:49 | ||
|
Concerto grosso No. 5 in G Minor - Concerto grosso No. 5 in G Minor - Arr. from Corelli's Sonata, Op. 5, No. 5: I. Adagio
By Francesco Geminiani - Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Kristian Bezuidenhout, Stefan Maass & Stefan Rath
|
3:02 | ||
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Concerto grosso No. 5 in G Minor - Concerto grosso No. 5 in G Minor - Arr. from Corelli's Sonata, Op. 5, No. 5: II. Vivace
By Francesco Geminiani - Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Kristian Bezuidenhout, Stefan Maass & Stefan Rath
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1:37 | ||
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Concerto grosso No. 5 in G Minor - Concerto grosso No. 5 in G Minor - Arr. from Corelli's Sonata, Op. 5, No. 5: III. Adagio
By Francesco Geminiani - Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Kristian Bezuidenhout, Stefan Maass & Stefan Rath
|
2:44 | ||
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Concerto grosso No. 5 in G Minor - Concerto grosso No. 5 in G Minor - Arr. from Corelli's Sonata, Op. 5, No. 5: IV. Allegro
By Francesco Geminiani - Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Kristian Bezuidenhout, Stefan Maass & Stefan Rath
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1:40 | ||
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Gagliarda Napolitana
Daniel Hope, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass, Stefan Rath & Hans-Kristian Kjos Sorensen
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1:50 | ||
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Passacaglia in G Minor
By Andrea Falconieri - Daniel Hope, Lorenza Borrani, Jonathan Cohen, Kristian Bezuidenhout & Hans-Kristian Kjos Sorensen
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2:56 | ||
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Tambourin
By Jean-Marie Leclair - Daniel Hope, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass, Stefan Rath & Hans-Kristian Kjos Sorensen
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1:44 | ||
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Greensleeves
By Anonymous - Daniel Hope, Stefan Maass & Stefan Rath
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4:39 | ||
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Sonata "La guerra" in A Major: La Guerra cosí nominata di sua maestà
By Johann Paul von Westhoff - Daniel Hope, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass, Stefan Rath & Hans-Kristian Kjos Sorensen
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0:45 | ||
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Sonata for Violin and Continuo II: Imitazione del Liuto. Presto
By Johann Paul von Westhoff - Daniel Hope, Stefan Maass & Stefan Rath
|
2:26 | ||
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Suite No. 3 in D, BWV 1068: II. Air
By Johann Sebastian Bach - Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Stefan Maass & Stefan Rath
|
5:01 | ||
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Aria Burlesca
By Nicola Matteis - Daniel Hope, Lorenza Borrani, Jonathan Cohen, Stefan Maass, Stefan Rath & Hans-Kristian Kjos Sorensen
|
1:35 |
About Daniel Hope
Described at one time in his publicity materials as "the British violinist," as if he were the only one, Daniel Hope is at least the most versatile British violinist of the early 21st century. An advocate of contemporary music, he has also performed Beethoven and Schumann with the period-instrument ensemble Concerto Köln, recorded music inspired by Indian classical composer-performer Ravi Shankar, partnered with actor Klaus Maria Brandauer in conceptual projects involving music and the spoken word, and recorded a pair of successful albums that use the familiar music of Antonio Vivaldi as a starting point for further creative activity.
Hope's father, poet and novelist Christopher Hope, was persecuted in South Africa for his anti-government views, so the family fled to England when Daniel was six months old. His mother, Eleanor, got a job as secretary to Yehudi Menuhin. Daniel became a playmate of Menuhin's grandchildren, and although the old master was not a significant figure in the boy's life, he did inspire Daniel to take up the violin under the supervision of neighbor Sheila Nelson, one of England's top violin teachers to children. Hope went on to study with several Russian instructors at the Royal College of Music, then traveled to Hamburg to study from 1992 to 1998 with another Russian, Zakhar Bron. He also took degrees from the Royal Academy of Music in London.
As a student in Hamburg, Hope developed a friendship with composer Alfred Schnittke (in 2003 he was entrusted with the premiere of the composer's recently discovered violin sonata from 1955), and would soon devote himself largely though never exclusively to the music of Schnittke and other living composers. He has commissioned works from the likes of Jan Müller-Wieland, Huw Watkins, and Roxanna Panufnik.
Hope's career began to take off in his mid-20s, and in 2002 he was recruited on one week's notice to perform on tour with the Beaux Arts Trio. Almost immediately he was accepted as a permanent member of the ensemble and worked to spice up the group's fairly conservative repertoire with commissioned works by such composers as György Kurtág and Mark-Anthony Turnage to celebrate the trio's 50th anniversary. He has continued an active chamber music career, in concert and on recordings, after the Beaux Arts Trio dissolved in 2008.
In 2004 Hope won three major awards for his recording of the Berg (in its original version) and Britten concertos; readers of the English monthly Gramophone voted it the best available recording of the Berg. He serves as associate artistic director of the eclectic Savannah (Georgia) Music Festival, and since 2010 as Artistic Partner at Festspiele Mecklenburg-Vorpommern. In 2004 he married double bassist Annika Pigorsch, a player in the Radio Symphony Orchestra in Amsterdam, and the couple has taken up residence in Germany. Hope has also written four books about his life and about music, and often contributes music articles to the Wall Street Journal. He has also hosted radio and television programs about music, including the 2013 documentary film The Secrets of the Violin.
Hope's recordings in the 2010s continued to run the stylistic and generic gamut. He offered the crossover minimalism of Ludovico Einaudi's I Giorni in 2012; paid a traditional tribute to his stylistic exemplar Yehudi Menuhin; and recorded a pair of novel albums: 2012's Vivaldi Recomposed (in which his creative partner was German-British composer Max Richter) and 2017's For Seasons, which offered a straightforward set of Vivaldi's Four Seasons concertos joined with a dozen works of seasonal significance from various eras. This stylistic diversity has brought Hope a good deal of mainstream attention: in 2016 he served as a television presenter for Eurovision Young Musicians, the classical-music arm of the famed Eurovision Song Contest.
He should not be confused with Daniel Hope, an American composer, born in 1972 in Baltimore, MD.~ James Reel, James Manheim
Hope's father, poet and novelist Christopher Hope, was persecuted in South Africa for his anti-government views, so the family fled to England when Daniel was six months old. His mother, Eleanor, got a job as secretary to Yehudi Menuhin. Daniel became a playmate of Menuhin's grandchildren, and although the old master was not a significant figure in the boy's life, he did inspire Daniel to take up the violin under the supervision of neighbor Sheila Nelson, one of England's top violin teachers to children. Hope went on to study with several Russian instructors at the Royal College of Music, then traveled to Hamburg to study from 1992 to 1998 with another Russian, Zakhar Bron. He also took degrees from the Royal Academy of Music in London.
As a student in Hamburg, Hope developed a friendship with composer Alfred Schnittke (in 2003 he was entrusted with the premiere of the composer's recently discovered violin sonata from 1955), and would soon devote himself largely though never exclusively to the music of Schnittke and other living composers. He has commissioned works from the likes of Jan Müller-Wieland, Huw Watkins, and Roxanna Panufnik.
Hope's career began to take off in his mid-20s, and in 2002 he was recruited on one week's notice to perform on tour with the Beaux Arts Trio. Almost immediately he was accepted as a permanent member of the ensemble and worked to spice up the group's fairly conservative repertoire with commissioned works by such composers as György Kurtág and Mark-Anthony Turnage to celebrate the trio's 50th anniversary. He has continued an active chamber music career, in concert and on recordings, after the Beaux Arts Trio dissolved in 2008.
In 2004 Hope won three major awards for his recording of the Berg (in its original version) and Britten concertos; readers of the English monthly Gramophone voted it the best available recording of the Berg. He serves as associate artistic director of the eclectic Savannah (Georgia) Music Festival, and since 2010 as Artistic Partner at Festspiele Mecklenburg-Vorpommern. In 2004 he married double bassist Annika Pigorsch, a player in the Radio Symphony Orchestra in Amsterdam, and the couple has taken up residence in Germany. Hope has also written four books about his life and about music, and often contributes music articles to the Wall Street Journal. He has also hosted radio and television programs about music, including the 2013 documentary film The Secrets of the Violin.
Hope's recordings in the 2010s continued to run the stylistic and generic gamut. He offered the crossover minimalism of Ludovico Einaudi's I Giorni in 2012; paid a traditional tribute to his stylistic exemplar Yehudi Menuhin; and recorded a pair of novel albums: 2012's Vivaldi Recomposed (in which his creative partner was German-British composer Max Richter) and 2017's For Seasons, which offered a straightforward set of Vivaldi's Four Seasons concertos joined with a dozen works of seasonal significance from various eras. This stylistic diversity has brought Hope a good deal of mainstream attention: in 2016 he served as a television presenter for Eurovision Young Musicians, the classical-music arm of the famed Eurovision Song Contest.
He should not be confused with Daniel Hope, an American composer, born in 1972 in Baltimore, MD.~ James Reel, James Manheim
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- ORIGIN
- Durban, South Africa
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- GENRE
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Classical
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- BORN
- August 17, 1973
Songs
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ExperienceIn a Time Lapse
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Life
In a Time Lapse
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Recomposed by Max Richter: Vivaldi, The Four Seasons: Spring 1Recomposed by Max Richter: Vivaldi, The Four Seasons (Deluxe Version)
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PetricorElements (Deluxe Version)
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I giorni: AndanteSpheres - Einaudi, Glass, Nyman, Pärt, Richter
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Recomposed by Max Richter: Vivaldi, The Four Seasons: Winter 1
Recomposed by Max Richter: Vivaldi, The Four Seasons (Deluxe Version)
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Passaggio
Spheres - Einaudi, Glass, Nyman, Pärt, Richter
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Recomposed by Max Richter: Vivaldi, The Four Seasons: Summer 3
Recomposed by Max Richter: Vivaldi, The Four Seasons (Deluxe Version)
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Recomposed by Max Richter: Vivaldi, The Four Seasons: Spring 3
Recomposed by Max Richter: Vivaldi, The Four Seasons (Deluxe Version)
Albums
Recomposed by Max Richter: Vivaldi, The Four Seasons (Deluxe Version)
2014
Spheres - Einaudi, Glass, Nyman, Pärt, Richter
2013
111 Years of Deutsche Grammophon
2009
Vivaldi: Concertos, Aria & Sonata
2008
Escape To Paradise - The Hollywood Album
2014
