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For the Sake of the Song

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Album Review

Townes Van Zandt wrote songs with an uncommon grace and poetic clarity, and he sang them with a voice that was at once straightforward, eloquent, and mindful of the arid beauty of his images. A decade after Van Zandt released his first album, there would be dozens of singer/songwriters following his example, but he was a rather unusual commodity when For the Sake of the Song was released in 1968, and the album's production and arrangements occasionally suggest that Jack Clement and Jim Malloy didn't always know what to make of what he brought them. The 11 songs on Van Zandt's debut are all fine stuff (even the throwaway novelty "Talkin' Karate Blues" at least brings a chuckle), and the emotional force with which Van Zandt delivers "(Quicksilver Daydreams Of) Maria," "Tecumseh Valley," and the title tune belies the fact this was his first album. But on several tracks Clement and Malloy attempt to match the elusive mystery of Van Zandt's music with overblown accompaniment and deeply echoey recording, especially the cheesy chorus on "The Velvet Voices," the clichéd Western accompaniment of "I'll Be Here in the Morning," the tinkling keyboards on "Sad Cinderella," and the rattling percussion of "Waitin' Around to Die." In spite of the occasionally misguided production, For the Sake of the Song remains a classic debut. These songs make clear that Van Zandt's genius was already fully formed, and as both a composer and a performer he was a man of rare gifts; even when the backing threatens to drown him out, his gifts come shining through, and For the Sake of the Song was an auspicious debut offering from a talent of the first order.

Biography

Born: March 07, 1944 in Fort Worth, TX

Genre: Singer/Songwriter

Years Active: '60s, '70s, '80s, '90s

Townes Van Zandt's music doesn't jump up and down, wear fancy clothes, or beat around the bush. Whether he was singing a quiet, introspective country-folk song or a driving, hungry blues, Van Zandt's lyrics and melodies were filled with the kind of haunting truth and beauty that you knew instinctively. His music came straight from his soul by way of a kind heart, an honest mind, and a keen ear for the gentle blend of words and melody. He could bring you down to a place so sad that you felt like you...
Full bio