12 Songs, 40 Minutes

EDITORS’ NOTES

On Blitzen Trapper’s sixth studio album, the Portland band dives headfirst into the record collections of its members' teenage years and delivers classic-sounding songs that are part Southern rock, part Southern funk, and part indie rock. “Might Find It Cheap” opens with the bygone biker strut of a Lynyrd Skynyrd tune. But it’s not all vintage tones here: the electric guitars crunch and distort like they were touched by the hand of J. Mascis. “Fletcher” recalls Wilco’s 1995 debut album, A.M., with twangy country rock devoid of any modern-day effects to keep everything sounding timeless. “Your Crying Eyes” starts with what could be a front-porch jam, as a distant harmonica, stomping boots, and handclaps suddenly make way for chugging twang-rock. The thick drums and electric guitars combine with a pedal steel to create something like a lost James Gang tune. The acoustic-based “My Home Town” recalls the band’s past penchant for Neil Young–flavored songs before the title track rocks out with an anthem-like fervor.

EDITORS’ NOTES

On Blitzen Trapper’s sixth studio album, the Portland band dives headfirst into the record collections of its members' teenage years and delivers classic-sounding songs that are part Southern rock, part Southern funk, and part indie rock. “Might Find It Cheap” opens with the bygone biker strut of a Lynyrd Skynyrd tune. But it’s not all vintage tones here: the electric guitars crunch and distort like they were touched by the hand of J. Mascis. “Fletcher” recalls Wilco’s 1995 debut album, A.M., with twangy country rock devoid of any modern-day effects to keep everything sounding timeless. “Your Crying Eyes” starts with what could be a front-porch jam, as a distant harmonica, stomping boots, and handclaps suddenly make way for chugging twang-rock. The thick drums and electric guitars combine with a pedal steel to create something like a lost James Gang tune. The acoustic-based “My Home Town” recalls the band’s past penchant for Neil Young–flavored songs before the title track rocks out with an anthem-like fervor.

TITLE TIME
3:12
3:27
3:40
3:01
2:39
3:39
3:09
4:05
2:56
4:39
3:17
3:02

About Blitzen Trapper

Blitzen Trapper's music went through various genres with each record, bouncing from indie folk to art rock to experimental folk before settling into a rich, dusty brand of Neil Young-inspired alt-country. The band formed in 2000 in Portland, Oregon, with songwriter Eric Earley leading a lineup that also included Erik Menteer (guitar, keyboard), Brian Adrian Koch (drums, vocals), Michael Van Pelt (bass), Drew Laughery (keyboard), and Marty Marquis (keyboard, vocals). Before signing a record contract in 2007, the band released three albums on its own dime: an eponymous effort in 2003, Field Rexx in 2005, and the highly acclaimed Wild Mountain Nation in 2007. The latter album landed the group a record deal with Sub Pop.

With Sub Pop's help, the group hit a creative peak with 2008's Furr, a collection of 13 songs that found Blitzen Trapper boiling down their many influences into a cohesive, unique Americana sound. The Black River Killer EP followed in 2009, and the group spent part of that year working on a new full-length release, which arrived one year later in the form of Destroyer of the Void. Laughery left the band after a subsequent tour, and when it came time to record the band's third Sub Pop release, American Goldwing, Blitzen Trapper opened the studio doors to outside collaborators for the first time, with Tchad Blake mixing the record and Gregg Williams co-producing. Musically, though, the guys kept things entirely within the family, reaching back to their '70s country and Southern rock influences without losing their contemporary appeal.

The band released the albums Destroyer of the Void in 2010 and American Goldwing in 2011 -- both to critical acclaim. Their seventh studio album, VII, arrived in September 2013 via a new partnership with Vagrant Records, and Blitzen Trapper recorded their first live album that November at the Doug Fir Lounge. Live in Portland was self-released as a free download in 2014. Seeking to capture that live sound in the studio, their eighth studio album, the looser All Across This Land, was issued the following year via Vagrant. ~ Kenyon Hopkin & Andrew Leahey

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