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Electric Circus

Common

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Album Review

Firmly out of the underground by the time Electric Circus came out in late 2002, Common takes the vision to the next level, employing high-profile producers ?uestlove, Dilla (Jay Dee), and the Neptunes. It's no surprise that the ?uestlove tracks push the most unclaimed territory. The Roots' Phrenology record, which appeared concurrent with Electric Circus, also flips the script on preconceived notions of beats and rhymes. Frequently the new sound on both records is pushed into a strange, sometimes aggressive, blunted rock/soul hybrid that still pulls the line for able-bodied MCs. Then there's also the Neptunes' tracks here, which are perfectly suited for MTV and urban radio. The Mary J. Blige duet, "Come Close," is a slow-paced dialogue between Common and Blige that borders on typical, but will still find a great number of fans. "Electric Wire Hustler Flower" is the true centerpiece of the record, though — another ?uestlove jam, the song is tough but sensitive enough to maintain the layers of rhythm, rhyme, and abstraction. Electric Circus does suffer from that which ails many contemporary hip-hop albums — too many guests (including a strange appearance by Laetitia Sadier [Stereolab]) and a generally lengthy program drag this one down a tad. Nonetheless, Electric Circus is a brave and ruthless statement wrapped in sincerity.

Customer Reviews

soul

classic

Biography

Born: March 13, 1972 in Chicago, IL

Genre: Hip-Hop/Rap

Years Active: '90s, '00s, '10s

Common (originally Common Sense) was a highly influential figure in rap's underground during the '90s, keeping the sophisticated lyrical technique and flowing syncopations of jazz-rap alive in an era when commercial gangsta rap was threatening to obliterate everything in its path. His literate, intelligent, nimbly performed rhymes and political consciousness certainly didn't fit the fashions of the moment, but he was able to win a devoted cult audience. By the late '90s, a substantial underground...
Full bio

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