Bleecker and McDougal
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||Bleecker & MacDougal||Fred Neil||2:14||$0.99||View in iTunes|
||Blues On the Ceiling||Fred Neil||2:24||$0.99||View in iTunes|
||Sweet Mama||Fred Neil||2:37||$0.99||View in iTunes|
||Little Bit of Rain||Fred Neil||2:23||$0.99||View in iTunes|
||Country Boy||Fred Neil||2:28||$0.99||View in iTunes|
||Other Side to This Life||Fred Neil||2:56||$0.99||View in iTunes|
||Mississippi Train||Fred Neil||2:22||$0.99||View in iTunes|
||Travelin' Shoes||Fred Neil||2:17||$0.99||View in iTunes|
||The Water Is Wide||Fred Neil||4:17||$0.99||View in iTunes|
||Yonder Comes the Blues||Fred Neil||1:53||$0.99||View in iTunes|
||Candy Man||Fred Neil||2:29||$0.99||View in iTunes|
||Handful of Gimme||Fred Neil||2:14||$0.99||View in iTunes|
||Gone Again||Fred Neil||3:16||$0.99||View in iTunes|
Given the late Fred Neil's near mythic reputation as a songwriter, singer, environmentalist, and recluse, the reissue of his 1965 album Bleecker & MacDougal is of historic importance. But rather than being an artifact of the man who wrote "Everybody's Talkin'," "Other Side to This Life" (which appears here), and "Dolphins," this album is made of the material that gave Neil his enigmatic presence. This is a highly evocative and emotionally charged set of material, nearly all of which Neil composed. The lineup on the album was similar to his previous outing with Vince Martin, and featured John Sebastian on harmonica, Felix Pappalardi on bass, and guitarist Pete Childs (who also played dobro and electric on the date — the latter was heresy for a folk record), with Neil playing 12-string. The pace of the set is devastating, from the greasy blues of the title track to the strolling darkness of "Blues on the Ceiling," the jug band stomp of "Sweet Mama," and the balladic heraldry of "Little Bit of Rain," a dynamic Tim Buckley would bring his own magic to as he emulated it a few years later. In addition, there's the tough Chicago blues meets California swagger of "Country Boy," which Mike Bloomfield and Paul Butterfield would perfect two scant years later. "Other Side to This Life" is its own elegiac painting in sound, with glistening dirge-like textures caressed by Neil's baritone. The tough, battered "Travelin' Shoes" is an early example of folk-rock with a big accent on the word "rock." Yet, on the album's lone cover, a gorgeously wrought and multi-textured rendition of "The Water Is Wide," Neil added spare, haunting jazz overtones to the arrangements, transcending the folk coffeehouse prison the song had been encased in for a decade. In fact, if one listens to Bryter Layter by Nick Drake, it would be easy to hear the connection. The album closes with the winding dobro that sparks "Gone Again," underlining the album's feeling of rambling transience and willful acceptance of both the graces and hardships life offers. In 13 songs, Neil transformed the folk genre into something wholly other yet not unfamiliar to itself, and helped pave the way for an entire generation of singer/songwriters who cared as much for the blues as they did for folk revival traditions. This is — more so than his fine compilation The Many Sides of Fred Neil (also on Collector's Choice) or his debut Capitol album, Tear Down the Walls — the Fred Neil record to have.
There' better Fred
This a a good album from a 60's folk singer who is not well known. Although his deep rich voice comes through well, the songs are not as compelling as those on his best known album "Fred Neil", also known by one of the tracks as "Everybody's Talking". A lot of Fred's music has been covered by other musicians and often is better known by the cover work. "Everybody's Talking" is a good example and if you hear the Glen Campbell version it is sappy - Fred's is great. I'd like to see "Fred Neil" on the iTunes store list. A sure buy.
Born: March 16, 1936 in Cleveland, OH
Years Active: '60s, '70s