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The Bootleg Series, Vol. 5: Live 1975 - The Rolling Thunder Revue

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Album Review

The biggest criticism of The Bootleg Series, Vol. 5: Bob Dylan Live 1975 — the third installment in Columbia/Legacy's excavation of the exhaustive Bob Dylan vaults (the first was a box set, containing three volumes) — is that it's a compilation of highlights from his Rolling Thunder Revue of 1975, one that doesn't set out to replicate a set list but instead offers two discs and 22 tracks from this fabled tour. Apart from that, there's very little to complain about on this superlative set, which offers the first official release of Rolling Thunder material. Yes, this had been heavily bootlegged over the decades, plus it was documented on Dylan's notoriously unwatchable film Renaldo & Clara and there was Hard Rain, a collection culled from the post-Thunder 1976 tour that was similar but sour and nowhere near as good the 1975 material, as this superb set illustrates. Hearing this is a revelation, even for serious Dylan watchers — those so serious to own several bootlegs, even a full shelf of Dylan, but not as obsessive as those who track Bob's every move — and those who aren't as dedicated, yet still harbor a serious interest, will find this equally absorbing, since this is simply tremendous. It has become legend that Dylan will change arrangements and switch lyrics at the drop of a hat, which was evident on his jaunt with the Band in 1974, preserved for posterity on Before the Flood. Even so, he's looser, wilder, and more alive in this careening, thrilling album, a record where "A Hard Rain's a-Gonna Fall" gallops along as if it were "Leopard Skin Pill-Box Hat." As that suggests, the wildest thing about this is the electric cuts, where an unwieldy band turns out an overpowering sound that sounds inevitable, as if it's the only way these songs could be played, even when you've heard these songs countless times before in other arrangements. The acoustic moments don't pack the same charge, nor do they contain many of his duets with Joan Baez, yet they're intimate, passionate versions of the songs. In fact, there's not a bad moment here, and if it doesn't replicate the Rolling Thunder tour list to the letter, it does indeed capture the essence of this legendary stint, which is why it's necessary for every serious fan.

Customer Reviews

Excellent Live Album

This is one of my favourite live albums, with outstanding performances throughout. Dylan's voice on this disc is the best I've ever heard it. The iTunes review praises the electric tracks, and indeed these are superb, but the acoustic tracks are just as good. Check out It's All Over Now, Baby Blue and Sara: you can't get much better than that from anyone.

One of the best live albums

As dissapointing as Before the Flood ('74) and Hard Rain ('76) were, and as embarsassing at times as At Budokan was ('78) this one more than makes up for it. Funny story: in '75 Blood on the Tracks was released (but recorded in '74)....but he's touring Desire (recorded months before the tour, but released in '76). So fans had no idea about these new songs. Actually, the Hurrican single was released before the tour, so that's the only song audiences would've know of his new repoitoire.
In terms of the selection of performances.... they aren't as good as the ones in the film Renaldo and Clara. Such as Isis and Romance In Durango (both released on biograph) and One More Cup of Coffee or Just like a Woman. Listen to them. When I paint my masterpiece, which opened all of Dylan's concerts, is strangely missing.

But all in all, these are Dylan's greatest live performances. And that voice of his on this record! Wowee it's amazing! Do yourself a favour, get this one or Live 1966. They're the best.


Born: May 24, 1941 in Duluth, MN

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Bob Dylan's influence on popular music is incalculable. As a songwriter, he pioneered several different schools of pop songwriting, from confessional singer/songwriter to winding, hallucinatory, stream-of-consciousness narratives. As a vocalist, he broke down the notion that a singer must have a conventionally good voice in order to perform, thereby redefining the vocalist's role in popular music. As a musician, he sparked several genres of pop music, including electrified folk-rock and country-rock....
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