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Chapter Four: Alive In New York

Gato Barbieri

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Album Review

Taken from three nights of recording in February of 1975, Gato Barbieri's Chapter 4 is a continuation — albeit in a concert setting — of the music explored on his first three chapters for Impulse. Finally available on CD this set includes three Barbieri compositions, including the four-part suite "La China Leonicia" and his ubiquitous "Milonga Triste." The band here includes percussionist Ray Armando, bassist Ron Carter, multi-instrumentalist Howard Johnson (here on tuba, flügelhorn, and bass clarinet), pianist Eddie Martinez, guitarist Paul Metzke, and Brazilian drummer Portinho. The band here is full of warmth as well as fire, and the blowing is full of passion. Barbieri's bands in the early and mid-'70s were well rehearsed, and deeply in tune with his brand of Latin jazz. The empathy in the rhythm section is utterly uncanny as Carter, Martinez, and Portinho create a shape-shifting backdrop for the frontline players to wind and entwine one another, incorporating formal notions of song into the action. The opening "Milonga Triste" is a case in point as Gato plays the melody, Johnson, in his own gift for lyricism, plays contrapuntal fills, and Metzke trots out elongated fingerpicked figures for Barbieri to solo off of, never losing the lyric in the process even as the intensity of the tune grows with every chorus. The suite begins as a free blowing exercise where modes are kept hovering about for the frontline players to improvise from until a melody is established and a direction taken that changes continually in the following three parts. The album's closer, "Lluvia Azul," begins as a ballad of dreamy quality and becomes a Latin jazz steamer by the end of the first third of its ten minutes, and becomes a lyrical orgy of harmonic invention and chromatic interplay with burning salsa rhythms fueling the entire thing. Chapter 4: Alive in New York is one of Barbieri's finest moments on record.

Biography

Born: November 28, 1932 in Rosario, Argentina

Genre: Jazz

Years Active: '50s, '60s, '70s, '80s, '90s, '00s

Gato Barbieri is the second Argentine musician to make a significant impact upon modern jazz — the first being Lalo Schifrin, in whose band Barbieri played. His story has been that of an elongated zigzag odyssey between his homeland and North America. He started out playing to traditional Latin rhythms in his early years, turning his back on his heritage to explore the jazz avant-garde in the '60s, reverting to South American influences in the early '70s, playing pop and fusion in the late...
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Chapter Four: Alive In New York, Gato Barbieri
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  • $9.99
  • Genres: Jazz, Music, Latin Jazz
  • Released: 1975

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