12 Songs

EDITORS’ NOTES

The '60s meet the distant future on the bewitching debut album from these Stereolab protégés. While their analogue electronics and quavering sound effects suggest the avant-garde output of Delia Derbyshire and The BBC Radiophonic Workshop, their songwriting evokes classic Brill Building pop. The result is an unusually gentle take on psychedelia, where medieval madrigals meet Mellotron ("Echo's Answer"), and harpsichords punctuate vintage synthesizers ("Come On Let's Go”). Trish Keenan's flawless vocals provide the irresistible through line—and a cool, calming presence even when the music's at its most abstracted.

EDITORS’ NOTES

The '60s meet the distant future on the bewitching debut album from these Stereolab protégés. While their analogue electronics and quavering sound effects suggest the avant-garde output of Delia Derbyshire and The BBC Radiophonic Workshop, their songwriting evokes classic Brill Building pop. The result is an unusually gentle take on psychedelia, where medieval madrigals meet Mellotron ("Echo's Answer"), and harpsichords punctuate vintage synthesizers ("Come On Let's Go”). Trish Keenan's flawless vocals provide the irresistible through line—and a cool, calming presence even when the music's at its most abstracted.

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About Broadcast

Space age pop collagists Broadcast formed in Birmingham, England, in 1995; comprised of vocalist Trish Keenan, guitarist Tim Felton, bassist James Cargill, keyboardist Roj Stevens, and drummer Steve Perkins, the quintet came together out of a shared affection for the psychedelic cult band the United States of America, a primary influence on their subsequent work as a group. Debuting in 1996 with the Wurlitzer Jukebox label single "Accidentals," Broadcast immediately won favorable comparisons to Stereolab for their sample-heavy, analog, synth-driven sound; the comparisons continued when they signed to Stereolab's Duophonic Super 45s imprint for their next effort, "Living Room." After the icily atmospheric Book Lovers EP, the group moved to Warp Records to release 1997's Work and Non-Work, a compilation of their existing singles tracks. The much-anticipated full-length The Noise Made by People finally appeared in early 2000 and the Extended Play Two EP was issued that fall.

Ever the studio perfectionists, Broadcast made fans wait until 2003 to hear any new material from the band, when the Pendulum EP arrived that spring and Haha Sound appeared that summer. In fall 2005, Broadcast -- pared down to the duo of Keenan and Cargill -- issued the America's Boy single and Tender Buttons full-length. Released in 2006, Future Crayon collected the group's numerous rare tracks and B-sides. The band resurfaced in fall 2009 with Broadcast & the Focus Group Investigate the Witch Cults of the Radio Age, a collaboration with the Focus Group's Julian House that took their sound in a spookier direction more overtly influenced by their interest in library music. In support of the album, Broadcast toured with Atlas Sound and issued a tour-only EP, Mother Is the Milky Way. Keenan passed away on January 14, 2011, due to complications from pneumonia. Two years later, the score to director Peter Strickland's '70s giallo cinema homage Berberian Sound Studio -- which Broadcast began working on before Keenan's passing and featured some of her final vocals -- arrived. ~ Jason Ankeny

  • ORIGIN
    Birmingham, England
  • FORMED
    1995

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