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Sphere

Landing

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Album Review

Landing continue their dreamy atmospherics with Sphere, released by K Records. The one aspect that seems to be a tad different on Sphere is the prevalence of steady drumming on most of the tracks, making Landing less similar to Windy & Carl and a closer kin to Mojave 3, Low, American Analog Set, or even Fontanelle. Landing still definitely lay down their prog-ish and psychedelic space-gaze tendencies on Sphere, but also enter into a post-rock/experimental area, as on "Fluency of Colors" and "Sphere," with their wandering processed guitars against keyboard drones and steady beats, which hold the album together at the moments when one could otherwise get lost in the dream. Sphere seems to be an fitting title for the album, in that the edges of all these songs are rounded off in the cross-faded atmospherics that bleed from track to track. Echoing from the group's consistent past, Sphere is another solid release from Landing, and possibly a small step forward. You will feel content that they left you with your head in the clouds.

Biography

Formed: 1998 in Provo, UT

Genre: Alternative

Years Active: '90s, '00s, '10s

Ambient drift rock band Landing were formed in 1998 by married couple Aaron and Adrienne Snow, two musicians who had met at Brigham Young University and moved to Connecticut after graduating. Starting out as a duo under the name May Landing, keyboardist Adrienne and guitarist Aaron were eventually joined by drummer/bassist Daron Gardner and guitarist/bassist Dick Baldwin, and later on by multi-instrumentalist Peter Baumann (often erroneously mistaken for the former Tangerine Dream member of the same...
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Sphere, Landing
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