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Quiet Now: Lovesome Things

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Album Review

Joe Henderson's entry in Polygram's mellow Quiet Now series focuses on his '90s recordings for the Verve label, a period when the tenor saxophonist had settled gracefully into a well-deserved elder statesman role. This is not to say that these ten performances are unnecessarily staid or conservative; indeed, Henderson's tone was better than ever during this period, and his characteristic soloing style, following the melody fairly closely but unafraid to branch out into uncharted musical waters, is in fine form throughout. The selection is heavy on standards, with highlights including two key tunes from Porgy and Bess and a startlingly impressive recasting of Miles Davis' "Flamenco Sketches" that strips down this classic track from Kind of Blue into an even more minimalist statement that almost approaches Brian Eno-style ambient music in its amorphousness. The album as a whole could stand more innovative moments like that, but as a collection of post-bop ballads, it's sublime. The four albums from which Quiet Now: Lovesome Things is drawn are all worthwhile purchases, but this compilation is both an excellent primer and a fine hour's worth of mood music.

Biography

Born: April 24, 1937 in Lima, OH

Genre: Jazz

Years Active: '50s, '60s, '70s, '80s, '90s, '00s

Joe Henderson is proof that jazz can sell without watering down the music; it just takes creative marketing. Although his sound and style were virtually unchanged from the mid-'60s, Joe Henderson's signing with Verve in 1992 was treated as a major news event by the label (even though he had already recorded many memorable sessions for other companies). His Verve recordings had easy-to-market themes (tributes to Billy Strayhorn, Miles Davis, and Antonio Carlos...
Full bio
Quiet Now: Lovesome Things, Joe Henderson
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  • $9.99
  • Genres: Jazz, Music, Hard Bop
  • Released: Feb 23, 1999

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