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The Body and Soul Sessions

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Album Review

By 2006, the smooth jazz genre's obsession with cover songs was reaching a somewhat ridiculous fever pitch, but the success of recordings like Kirk Whalum's The Babyface Songbook and Rick Braun's Yours Truly proved that listeners loved them. With the intensely likeable, high-spirited, super swinging Body and Soul Sessions, the French born funk-jazz keyboardist whips up an all-cover collection even the biggest skeptic can enjoy. This is due not only to the lively, imaginative arrangements, but also the long awaited opportunity to hear Saisse — who often favors big swirls of sound, bold sonic textures, and wild. trippy effects — strip down and play melodies and improvisations straightforwardly on piano and Fender Rhodes. There are a few subtle synth washes here and there — most notably, on a graceful cover of Bill Withers' "Lovely Day," but these are in perfect service to his gorgeous piano runs and the cool rhythms of acoustic bassist David Finck and drummer Scooter Warner. The song selection is pretty fascinating as well, with a gorgeous rendition of the title track being the only true jazz standard. Otherwise, the trio is balancing pure, playful '60s and '70s pop and soul (the ultra-retro "Do It Again," "September," "Lady Madonna," "We're All Alone") with inspired oddities like "Harley Davidson" (giving a joyous Ramsey Lewis vibe to a clapalong composed by Frenchman Serge Gainsbourg) and "The Dolphin." In his liner notes, vibes master Gary Burton laments the fact that Saisse once upon a time chose piano over vibes as his primary instrument — to the delight of thousands of fans worldwide. This new trio format finally gives Saisse a chance to just do his thing without the burden of creating a sonic circus around it.


Genre: Jazz

Years Active: '70s, '80s, '90s, '00s, '10s

Contemporary jazz keyboardist, composer and producer Philippe Saisse was born in Marseilles and raised in Paris; the son of a staff producer at CBS/Sony France, he studied piano, music theory and composition at the Paris National Conservatory, winning Boston's Berklee College of Music's prestigious Paul Winter Scholarship upon graduating in 1975. At Berklee, Saisse became the protege of vibraphonist Gary Burton, leading to a tenure playing behind Narada Michael Walden; he made his recorded debut...
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The Body and Soul Sessions, Philippe Saisse Trio
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