Journey to the Centre of the Earth Plus (Live)
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||Journey to the Centre of the Earth (Live)||Rick Wakeman||39:29||Album Only||View In iTunes|
||Catherine Parr (Live)||Rick Wakeman||4:15||$0.99||View In iTunes|
||Catherine Howard (Live)||Rick Wakeman||9:52||$0.99||View In iTunes|
||Anne Boleyn (Live)||Rick Wakeman||7:05||$0.99||View In iTunes|
||The American Advert Concerto (Live)||Rick Wakeman||5:07||$0.99||View In iTunes|
Journey to the Centre of the Earth is one of progressive rock's crowning achievements. With the help of the London Symphony Orchestra and the English Chamber Choir, Rick Wakeman turns this classic Jules Verne tale into an exciting and suspenseful instrumental narrative. The story is told by David Hemmings in between the use of Wakeman's keyboards, especially the powerful Hammond organ and the innovative Moog synthesizer, and when coupled with the prestigious sound of the orchestra, creates the album's fairy tale-like climate. Recorded at London's Royal Festival Hall, the tale of a group of explorers who wander into the fantastic living world that exists in the Earth's core is told musically through Wakeman's synthesized theatrics and enriched by the haunting vocals of a chamber choir. Broken into four parts, the album's most riveting segment, entitled "The Battle," involves Wakeman's most furious synthesized attack, churning and swirling the keyboards into a mass instrumental hysteria. With both "The Journey" and "The Forest," it's the effective use of the strings and percussion section of the London Symphony Orchestra that causes the elements of fantasy and myth to emerge from the album's depths. The gorgeous voice of Ashley Holt is effectively prominent, and some interesting guitar work via Mike Egan arises occasionally but meritoriously amidst the keyboard fervor. The whole of Journey to the Centre of the Earth still stands as one of the most interesting conglomerations of orchestral and synthesized music, and it is truly one of Wakeman's most flamboyant projects. [The 2004 Voiceprint edition included four additional tracks as a bonus.]
Je suis décu, je n'aime pas cette version je préfère la version studio.
Really BAD audio
These 5 songs sound like the were recorded off of an LP.. that's right a vinyl record with pops, hiss and other ambient noises. And the stereo image is extremely narrow, to the point of sounding like mono. It's a live recording to boot and the crowd noises don't add to this miserable recording... I wish I could get my $9.99 back...
Poor quality, without atmosphere, and David Hemmings sounds like presenting a show in a circus, a very bad show.
Born: May 18, 1949 in London, England
Years Active: '60s, '70s, '80s, '90s, '00s, '10s