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Landing On Water

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Album Review

It was some relief to fans that Neil Young finally turned back to conventional guitar rock for the first time in five years on this album, but the relief was shortlived if only because, like Hawks & Doves and Re-ac-tor, this proved to be a mediocre collection of songs and suggested, in a way that the genre exercises with which he'd been occupying himself did not, that he was artistically exhausted.

Customer Reviews

Only for the open-minded Neil fans.

This album isn't that bad. If you are an experienced Neil Young fan and you own at least 15 of his other better albums, then you need to buy this sooner or later. If you are new to Neil, buy some albums like "After the Goldrush", "Rust Never Sleeps", "On the Beach", or "Zuma." Save this album for later.

Brutal.... Just Brutal

Neil, I grew up with you man. This album should be called "Neil succumbs to the cheesyness of the the 80s". Don't get me wrong, I'm an 80s child all the way, I've got my share of Depeche Mode and Devo. However, theres a time and a place for that. It was just hard to listen to Neil's creative direction be taken over by cheese. Oh, and the whole "I was reading an airline pamphlet and got the idea for my new album name" cliche is just painfull.

Extremely underrated album

I am a big Neil Young fan but can call a spade a spade (example: Are you Passionte = terrible). However this is a very good album featuring several extremely strong songs (Hippie Dream for example). Steve Jordan's drumming alone is worth the price. If you like Freedom and Sleeps with Angels, you should also appreciate this album.

Biography

Born: November 12, 1945 in Toronto, Ontario, Canada

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic. From the beginning of his solo career in the late '60s through...
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