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In and Out of Control (Bonus Track Version)

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Album Review

The Raveonettes fourth album, In and Out of Control, marks another change in direction for the band, though it's much less noticeable than the shift between the glossy, overproduced Pretty in Black and the raw, noisy, and self-produced Lust Lust Lust. This time out, the duo of Sharin Foo and Sune Rose Wagner decided to record in a studio again, and enlisted the production and songwriting skills of Thomas Troelsen, who's worked with a diverse roster of artists that ranges from Junior Senior to Aqua, to his own excellent groups Private and Superheroes. Anyone fearing a return to the slick sounds that almost ruined the band will be glad to know that while there is more variety and a definite pop feel to the album, there is also plenty of noise and raw power to go around. The subject matter of the lyrics is totally Raveonettes too, touching on "suicide," rape, sadistic girls, heartbreak — all providing the requisite levels of general malevolence one would expect. What the band and Troelsen do on the album is take the basic noise-plus-melody template that forms the band's core and give it a tweak here and there. Some sunny glockenspiel on "Last Dance," some electronic sound manipulation on "Boys Who Rape (Should All Be Destroyed"), and clunky new wave drums on "Breaking into Cars" are some of the touches that brighten things up without diluting the band's intrinsic strengths. In general, the tightly arranged songs and use of different sounds from song to song make it perhaps the most listenable album of their career. It has some of their hookiest songs ("Last Dance," "Suicide," "Bang!"), some of their most ferocious sounding songs ("Break Up Girls!") and their toughest ("Boys Who Rape"), a couple of very pretty ballads ("Oh, I Buried You Today" and "Wine"), and no missteps. Thanks to the production, the performances, and the songs, the Raveonettes have delivered on the renewed promise of Lust Lust Lust and made a very good, almost great, noise-pop album. [A limited-edition version was also released.]

Customer Reviews

A GROWER

Nice stuff here, probably the Rave's most listenable album yet. Standouts for me are Bang, Suicide and Last Dance. Boys Who Rape comes off as a throw-away at first but give it a couple play throughs and later in line at the grocery store you'll be humming along with it too.

I Heart This Album

I really enjoy this album...like pop on crack. The general sound is gentle benevolence with catchy melodies and riffs, like in Heart of Stone or Boys Who Rape. The lyrics feel more raw and contrast nicely with the sound of the music, like in Last Dance or D.R.U.G.S. Courageously contemporary. Not a dull, quiet album at all. My favourite tracks are D.R.U.G.S., Oh, I Buried You Today (a quiet, short song), and Breaking Into Cars, and...I love them all. Just get the whole album.

Favorite yet

I love the raveonettes, and this is one of their best albums yet. Because of it's catchier and easier to listen and of course witty tunes, I think it'll attract a wider fan-base!
Buy your favorite songs if you're new to the Raveonettes. If not, buy the whole album!

Biography

Formed: 1998 in Copenhagen, Denmark

Genre: Rock

Years Active: '00s, '10s

Combining the noisy swells of the Jesus and Mary Chain with melodic elements of '50s rock & roll, the Raveonettes formed in Copenhagen during 2001. Guitarist Sune Rose Wagner had tried assembling a band for several years, traveling between New York City, Las Vegas, Hollywood, and an island outside of Seattle in his search for like-minded musicians. A longtime fan of Bob Dylan, he also prized the songwriting of Buddy Holly, the harmonies of the Everly Brothers, and the guitar work of Mark Knopfler,...
Full bio