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Album Review

Paul Potts' debut album, One Chance, was aptly named, capturing the remarkable circumstances of the former phone salesman's rise to fame during his time on the reality competition show Britain's Got Talent. The album's music also fit Potts' newfound stardom: a mix of light opera, pop and rock songs given the aria treatment, show tunes, and Christmas carols, it was designed to appeal to the widest possible audience while nodding to his passion for opera. Passione, One Chance's follow-up, indulges Potts' first love a little more while keeping the populist bent of his debut. Potts performs Puccini's E Lucevan le Stelle and Chopin's Tristesse sensitively, revealing that in the two years since One Chance, he has become a polished performer who has developed the mostly raw talent that he displayed on Britain's Got Talent. Yet Potts never feels as slick as another Simon Cowell classical pop creation, Il Divo, even on "opera-fied" versions of well-known songs like "La Prima Volta" ("The First Time Ever I Saw Your Face"), which he handles with as much grace as possible, although the overwrought "Senza Luce" ("A Whiter Shade of Pale") is not one of Passione's finer moments. Aside from missteps like this and the similarly overdone "Piano" ("Memory"), Passione feels more consistent and cohesive than One Chance, and Potts shines on "Un Giorno per Noi" ("A Time for Us"), the Hayley Westenra duet "Sei con Me" ("There for Me"), and "Mamma," which allows him to show off some of the subtler shades in his voice. Now that he's had his chance, Passione suggests that Potts is coming into his own.

Customer Reviews


When I reflect back on my first review of Paul, the voice was in need of considerable maturing and vocal training. Now he is back with "Passione", and the voice has come a long way. Each song is filled with stronger melodic projection, lyrical warmth, and stability at both ends of the spectrum. What is unique about Potts is his inner sincerity and the decisive underpinning that makes the music speak clearly and eloquently. Although Potts is not an operatic tenor this recording is stylish, well considered and discreetly flavored. Author: Raymond Vacchino M.Mus. (classical music critic)

awesome simply awesome

from got talent to this, what an achievment. love the voice

Making Opera Popular

There is a reason why "pop" music is popular - people enjoy it, lots of people, not just a small group of enthusiasts and a wider group of snobs who pretend to enjoy it. Critics who say, this is not opera, are missing the point - who cares? All that matters is that a fellow who is a "feel-good" story - he has a pleasant voice combined with an inner sincerity and a passion for the kind of music that many of his new fans never would have listened to before he came along - keep on rocking (or opera-ing) Paul, you're doing just fine and thanks, I enjoy listening to you.


Born: October 13, 1970 in Bristol, England

Genre: Classical

Years Active: '00s, '10s

Paul Potts was exactly what the producers of Britain's Got Talent were looking for when they finally launched the program in the U.K. after much delay: an ordinary bloke, working in an ordinary job, but with an extraordinary talent. Simon Cowell's latest project, after half a decade of involvement with TV talent shows primarily involving singers, was a national contest with a public vote for all types of talents -- singers, dancers, magicians, ventriloquists, and even more extreme novelty acts. After...
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Passione, Paul Potts
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Customer Ratings