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August and Everything After

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iTunes Review

By pairing plaintive songs with Adam Duritz’s supple, shape-shifting vocals, August and Everything After hits a recipe that feels both timeless and contemporary. With ringing chords and insistent grooves, “Omaha” and “Mr. Jones” are immediately inviting, but even in their poppy moments, Counting Crows always sound like a bunch of guys jamming in a living room. The band echoes R.E.M. in the impressionistic portraiture of “Round Here” and the jangly rushes of “Rain King,” while Duritz takes Van Morrison’s cue with the empathetic, unpredictable vocal expressions of “Anna Begins.”

Customer Reviews

Over and Over and Over and Over

I was living in Thailand when this album was released and it was one of the only cassettes I owned at the time....yes, I said cassettes. Anyway, I would listen to it constantly and on long trips to Malaysia for a new tourist visa, I would listen to it for hours at a time, over and over and over again. I NEVER got tired of it and to this day it is one of my favourite albums of all time - every song is worthy!

For sure one of the 10th best 90's album !!!

Absolument incroyable, un voyage bénéfique à travers les mélodies enjoleuses de chacunes des chansons qui composent cet album.

My favorite of all time

This is my personal favorite album ever. Never get tired of listening to it. I like every single song. Wonderful!!

Biography

Formed: August, 1991 in San Francisco, CA

Genre: Rock

Years Active: '90s, '00s, '10s

With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. Only a year earlier, the band was a group of unknown musicians, filling in for the absent Van Morrison at the Rock and Roll Hall of Fame ceremony; they were introduced by an enthusiastic Robbie Robertson. Early in 1993, the band recorded its debut album, August and Everything After, with T-Bone Burnett. Released in the fall, it was a dark and somber record, driven by the morose...
Full bio