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Open the Door

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Album Review

There may be no reggae songwriter as jaw-droppingly prolific as Gregory Isaacs, who has written over 500 songs (and released practically that many albums) in the course of a career that has spanned more than three-and-a-half decades. He also is one of the genre's most instantly recognizable voices, a reedy, almost whiny tenor that somehow became synonymous with the lover's rock reggae subgenre. That a not-especially-handsome man equipped with a not-especially-handsome voice could become an international musical sex symbol is one of the most enduring wonders of reggae music. Open the Door is, against all the odds, one of his strongest; finding Isaacs teamed up with the formidable production team of Mafia & Fluxy, who provided him with powerful but not overpowering modern roots and dancehall rhythms, tastefully spiced up with real horns and mixed by an engineering tag team consisting of Gussie P. and Calvin "So-So" Francis. As with most Gregory Isaacs collections, this one has little in the way of notable high points — it simply flows effortlessly in a gentle mid-tempo stream, from the bemused resignation of "Forgive Her" to the gentle romantic remonstration of "Josephine." Then the album ends with three perfectly serviceable dub versions. No, it's not exactly Night Nurse, but Open the Door is an entirely worthy addition to the Gregory Isaacs' catalog.


Born: July 15, 1951 in Kingston, Jamaica

Genre: Reggae

Years Active: '70s, '80s, '90s, '00s

One of Jamaica's most beloved vocalists who was as pertinent in dancehalls as he was in bedrooms, Gregory Isaacs' career stretched over 30 years. From the heady days of reggae through lovers rock, a genre he virtually invented, his talent reached into the modern age. Born in the Fletcher's Land area of Kingston, Jamaica, on July 15, 1951, Isaacs arrived in the music business via the talent show circuit, a tried and true formula for many of the island's budding singing stars. Byron Lee was the first...
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Open the Door, Gregory Isaacs
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