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Outlandos d'Amour (Remastered)

The Police

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Customer Reviews

Truth Hits Everybody

Although the Police rode the punk bandwagon in 1978, the band were never really part of that scene. Andy Summers was far too old and had once been a hippie and Sting and Copeland had teaching degrees and jazz backgrounds. Not exactly anarchy. Upon it's release, "Outlandos" was looked on suspiciously and poorly reviewed. What people failed to notice was how talented these three guys were.Sting was already writing classics like "Roxanne" and "So Lonely" and all three were creating some of the most inventive arrangements in pop music. Each successive album would expand their sound and ideas until the genius of "Synchronicity" in 1983. But here the simplicity and enthusiasm are the strong points.

One Of the Police's Best

This album has many successful songs on it such as, So Lonley, Next to you, Roxanne, and Can't Stand Losing You. From Copelands drumming to Stings vocals the album is a must have for any Police fan.

Only really good Police album.

Outlandos d'Amour is what I believe their only good album. Every song here is one I like. Their other albums have one mildly catchy song each that I am not usually fond of but this album is a masterpiece.


Formed: 1977 in London, England

Genre: Rock

Years Active: '70s, '80s, '90s, '00s

Nominally, the Police were punk rock, but that's only in the loosest sense of the term. The trio's nervous, reggae-injected pop/rock was punky, but it wasn't necessarily punk. All three members were considerably more technically proficient than the average punk or new wave band. Andy Summers had a precise guitar attack that created dense, interlocking waves of sounds and effects. Stewart Copeland could play polyrhythms effortlessly. And Sting, with his high, keening voice, was capable of constructing...
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Outlandos d'Amour (Remastered), The Police
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Customer Ratings




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