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Night Time Is the Right Time

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Album Review

Night Time Is the Right Time is a two-disc collection of 36 gems recorded by R&B singer Nappy Brown. With one foot grounded in the blues and the other stepping toward soul, Brown's mid- to late-'50s recordings are exciting and impressive. The first disc, with classics like "Don't Be Angry," "That Man," and "Two-Faced Woman (And a Lyin' Man)," is probably the best. The tight arrangements, filled with saxophone, piano, and electric guitar, place Brown's voice in the best light. He shouts, croons, and bends words playfully on upbeat numbers like "Just a Little Love" and "Piddily Patter Patter." While his voice is distinctive, it is the exuberant punch of his delivery that keeps his music vibrant some forty years after it was recorded. Even slower numbers, such as "Is that Really You?," find Brown building a soulful intensity, or the "slow burn" as it was called. There are several songs like "I've Had My Fun" on the second disc that fall more comfortably into the blues category. These are fine recordings, but straight R&B seemed to work best for his style. It should also be noted that whatever you call his music — R&B, soul, jump blues — much of it would have fit comfortably into '50s rock & roll, though it is certainly rawer and more exciting than the average Top 40 radio. This is fine R&B and a good collection for Brown fans. A great place to learn more about the roots of soul music. ~ Ronnie D. Lankford, Jr., Rovi


Born: October 12, 1929 in Charlotte, NC

Genre: Blues

Years Active: '50s, '60s, '70s, '80s, '90s, '00s

Nobody sounded much like Nappy Brown during the mid-'50s. Exotically rolling his consonants with sing-song impunity (allegedly, Savoy Records boss Herman Lubinsky thought Brown was singing in Yiddish), bellowing the blues with gospel-inspired ferocity, Brown rode rock & roll's first wave for a few glorious years before his records stopped selling. But in the early '80s, Brown seemingly rose from the dead to stage a comeback bid. He became ensconced once again as a venerable blues veteran who'd stop...
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