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Honey From The Tombs

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Album Review

Amy Millan has already proven herself a talented indie pop singer with her bands Stars and Broken Social Scene, so the fact that her voice carries over so well to other genres should come as no surprise. In her debut solo album, Honey from the Tombs, Millan explores her folkier side, with songs (all of which were written long before her Stars days) that tell tales of lost love and regret, an acoustic guitar and her own layered vocals her only constant companions. Not that the album is a lonely affair: Millan enlists plenty of help to help fill out her sound. There's guitar and vocal assistance from Dan and Jenny Whiteley (from Crazy Strings), as well as additional instrumentation from both sets of bandmates. But even though there's a certain lushness to the record, the words, and Millan's voice, are so forlorn that the overwhelming sentiment that comes through is loneliness, as if the players behind her are simply illusions, as if in fact she is there by herself. And it's this particular emotion that sits so calmly within the notes that makes Honey from the Tombs more than just another folk album. The songs themselves, if taken apart structurally, are no better and no worse than any other ones: they're musically sound but not extraordinary, and while there are some great, poetic lines, most of the actual power in Millan's work is from the sincerity in the simplicity of it all. "Singing's always easy when you're drinking," she admits, "So pour me up another before bed." She allows herself to show a weakness that's all too human, the weakness of old lovers who will never be forgotten, of distant memories still sharp like broken whiskey bottles. And it's precisely that weakness that makes Honey from the Tombs such a compelling and touching record. It doesn't have to be complicated by abstract imagery or unusual chords, because it already has everything it needs.

Customer Reviews

Pop with country/bluegrass sensibilities

This is her solo stuff so don't expect Smith-esque pop tunes like her efforts with Stars. The tunes on this CD are more country/folk/bluegrass-esque - if you enjoyed Jenny Lewis' recent effort than you'll probably like this album too. I'd say about half of the stuff is really good (especially Headsfull, Wayward and Parliament, and Skinny Boy) and the other half is nice but not outstanding. Amy's voice (which is beautiful) is what pushes me to rate this a 4 star rather than an average three.

Best songs of the summer

I am really excited about this album. I'm amazed by the songwritting and all the different moods the sound of the song's evoke. I especially like Skinny Boy for the dreamy feel, but I'm also into all the country sounds and melodies and the Dylanish simplicity of certain tracks like Loosing You. It's a lot more acousitic and dreamy/folk than Jenny Lewis which is better. One more excellent album coming out of the oh so great Montreal ... :)

Delicate and adequate

A bit different from her usual indie melodies. Most of the songs have some overtone of country and bluegrass. decent music, but not a classic album by any means, and a comparison to dylan is almost blasphemous(lyrically she is not even scratching the surface of dylan, but very few can) and i am not even a purist. but she is still young and fairly talented, so eventually something complete will come out. until then let this be a stepping stone for her. Track 1, 2, 3, 10, 12 come across as natural and effortless, but the rest of the seven songs are trying too hard to sound like an intricate bluegrass/jazz fusion album...this is a trend most canadian female artists go thorough for some reason.. anyway, she is still learning her trade, so i will give her time for a complete album.


Genre: Alternative

Years Active: '00s

Canadian chanteuse Amy Millan is best known for fronting the indie rock act Stars. Millan's charming girlish vocals have also appeared on albums from Sixteen Tons, Broken Social Scene, and Jason Collett. In 2006, Millan put things in her own words for her first solo album, Honey from the Tombs. This songbook of romance and reflection took three years to record and features performances by Broken Social Scene's Kevin Drew and Brendan Canning, Jimmy Shaw of Metric, the bluegrass band Crazy Strings,...
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Honey From The Tombs, Amy Millan
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