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Lucifer: The Book of Angels Volume 10

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Album Review

Over the years, John Zorn has offered up more projects than one can easily keep track of and you can find both passionate advocates and passionate detractors for almost every one of them. Every one, except perhaps Bar Kokhba. It's the Masada String Trio (Mark Feldman, Erik Friedlander, and Greg Cohen) augmented by Marc Ribot (guitar), Joey Baron (drums), and Cyro Baptista (percussion). Their albums have all been exquisite and their release in the Zorn 50th Birthday series was perhaps the best of that series. Here they are with their first studio recording in over a decade, and their first of Zorn's Masada: Book Two material. Honestly, with this material and these players, you just can't go wrong. There are highlights aplenty, starting with Ribot and Baptistsa on the opening track. Friedlander and Feldman shine on both "Dalquiel" and "Quelamia." Joey Baron tears it up on "Gediel" and does some great brushwork on "Azbugah." The playing all the way around is just fantastic. You could even play this album for your grandmother, something you can't say about much of the rest of the Zorn catalog. Whether you like all his projects or not, John Zorn's output has been of a consistently high quality. Lucifer: Book of Angels, Vol. 10 is among the finest offerings in his discography, and a very accessible one at that.

Customer Reviews

THIS IS MUZIK

what a great album, produced by a well known by most connaisseur of great art ( John Zorn ) but a not so well known producer of the mass listeners of the paris , britney and well low quality items sold at wal marts .... this album is very dramatic , exotic , just plain romantic .... very very good .... cant go wrong with it at all ....

Excellent, from A to Z

This is without any doubt, one of the best albums of John Zorn.
The association with Bar Kokhba is magic.
You cannot go wrong with this one. Period.

Biography

Born: September 02, 1953 in New York, NY

Genre: Jazz

Years Active: '70s, '80s, '90s, '00s, '10s

The one word virtually everyone can agree on in any discussion of the work of composer John Zorn is "prolific," in the strictest sense of the definition. Though he didn't begin making records until 1980, the recordings under his own name number well over 100, and the sheer number of works he has performed on, composed, or produced easily doubles that number. Though now an internationally renowned musician and the founder and owner of the wildly successful and equally prolific Tzadik imprint, Zorn...
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