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To Be Still

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Album Review

Like her debut The Pirate’s Gospel, To Be Still, the follow-up from alternative folk artist Alela Diane, is an intimate, haunting affair that showcases her songwriting and singing skills. Focused chiefly on Diane’s voice and acoustic guitar, To Be Still recalls both the classic female folk singers like Karen Dalton and the spookier, more associative dimensions of contemporary artists like Marissa Nadler and Nina Nastasia. But while her voice lilts and lulls, it’s the poetry of her lyrics and their evocative narratives that make this sophomore effort truly shine.

Customer Reviews

Take us Back

The Walking Dead brought me here.

Walking dead brought me here

Just had to do it

Gorgeous voice

Love Lady Divine and White as Diamonds the best. The whole album has been on repeat for days...it's chill and gorgeous

Biography

Born: April 20, 1983 in Nevada City, CA

Genre: Singer/Songwriter

Years Active: '00s, '10s

Part of the nouveau psych-folk movement that took shape as the first decade of the 21st century drew to a close, the American-born singer/songwriter Alela Diane got her start thanks to a well-received, self-released recording (2003's Forest Parade) and a helping hand from established scenester Joanna Newsom. After a short stint with the group Black Bear and a European vacation, Diane returned to the States and began work on her next album, which saw the light of day as The Pirate's Gospel in 2004....
Full bio
To Be Still, Alela Diane
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Customer Ratings

Contemporaries