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The Call

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Album Review

The Call features the same lineup as Notes From Big Sur (pianist Bobo Stenson and bassist Anders Jormin), save for drummer Billy Hart, who replaces Ralph Peterson. (Lloyd has referred to this group as his "Full Service Orchestra of Love.") While the record documents plenty of stirring musicianship, Lloyd the composer seems to be running low on fresh ideas and distinctive melodies. In sum, The Call is a bit too similar in thrust to his two previous ECM outings. (It's also over 16 minutes longer, which doesn't help.) There are a couple of unexpected twists, however — like Lloyd's surging, surprising entrance toward the end of "Song," and the quick yet perpetually unsettled tempo of the brief "Imke." The closing Lloyd/Hart duet, "Brother on the Rooftop," is partially based on the second movement of Beethoven's Pathétique Sonata, although there's no acknowledgement of this anywhere on the CD package. ~ David R. Adler, Rovi


Born: March 15, 1938 in Memphis, TN

Genre: Jazz

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Saxophonist Charles Lloyd is a forward-thinking musician's musician whose supreme improvisational talents and interest in cross-pollinating jazz with rock as well as non-Western styles of music during the '60s and '70s established him as one of the key figures in the development of fusion and world music. Born in Memphis, Tennessee on March 15, 1938, Lloyd grew up surrounded by the vibrant blues and jazz scenes of his native city. Given a saxophone at age nine, Lloyd eventually studied with Memphis...
Full bio
The Call, Charles Lloyd
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  • $9.99
  • Genres: Jazz, Music
  • Released: Jul 1993

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