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The Eternal

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Album Review

If anyone thought Sonic Youth were getting a little too comfortable, The Eternal proved they weren't afraid of change, even as they closed in on 30 years of making music together. The Eternal is Sonic Youth's first album for legendary indie label Matador Records after a nearly 20-year stint with Geffen Records, which dovetails nicely with the fact that this is also the band's first album with former Pavement bassist (and Matador alum) Mark Ibold. Sonic Youth even changed their usual songwriting approach, writing and recording tracks in quick batches instead of planning an entire song cycle at once. Dust wasn't allowed to settle on these songs, nor could it — the most striking thing about The Eternal is how hard it rocks. The contemplative haze that drifted over Murray Street, Sonic Nurse, and to a lesser extent Rather Ripped is blasted away by opening track "Sacred Trickster"'s lunging, massive guitars and Kim Gordon's demand to be pressed up against an amp. The rest of the band sounds revitalized, too: Lee Ranaldo's excellent "What We Know" is a furious yet complex rocker, and Thurston Moore sounds like the leader of the gang on "Thunderclap for Bobby Pyn," which name-drops the Heaven's Gate cult and the alias of Germs singer Darby Crash between its "whoa-oh" and "yeah yeah"-fueled choruses. This is the heaviest Sonic Youth have been since Sister, and it's fitting that their return to the indie world touches on their SST days. That's not the only era they revisit, however. "Poison Arrow"'s skronky grind evokes Dirty's sexier moments; "Antenna"'s radio love turns Murray Street's sun-streaked drones into epic pop; and "Calming the Snake"'s tumbling, atonal riffing suggests summery menace as much as it does Sonic Youth's no wave roots.

While there's a little bit of almost everything that has made Sonic Youth great over the years, the band hasn't put these elements together in precisely this way before. Considering how expansive their last few albums for Geffen were, The Eternal's relatively concise songs also set it apart, but when Sonic Youth do stretch out, it's with purpose. "Anti-Orgasm" begins as a duet/duel between Gordon and Moore, who trade challenges and come-ons over free-falling guitars that become a rolling, slow-motion excursion; the track's instrumental interplay is more violent, and more sensual, than its words. "Massage the History" is even more vast, encompassing fragile acoustic strumming, distortion storms, and dead calm over its nearly ten-minute expanse. While The Eternal doesn't flow quite as effortlessly as some Sonic Youth albums, it's perfectly balanced, its raw moments tempered by the subtle "Walkin Blue" and "Malibu Gas Station," which creeps so imperceptibly toward its raging guitars that they're almost unnoticed until you're caught in their undercurrent. Sonic Youth's freedom to follow their bliss is what holds The Eternal together; just as paradoxically, the changes they make on this album not only bring excitement to their music, they reaffirm just how consistently good the band has been — and continues to be — over the years.

Customer Reviews


finally, good music with a new album coming out in todays time. sonic youth, so you can never go wrong. (:

Amazing! Going to buy this album for sure!

I love Sonic Youth and I was really excited for this album to come out. It's way more then I hoped for. I didn't think they would let me, or any of us down! Listen to all the songs and buy some too, or the whole album! Trust me, you won't regret it!

Freedom From Corporate Control

They finally left Geffen Records and moved on to Metador Records. Metador Records is an indie rock label and they include the likes of Lou Reed of The Velvet Underground and The New Pornographers. This album, to me, was a break from the oppression of producing more "tangible" sounds for the record company and focusing on their avant-garde/experimentation style that they have come to be famous for. I've felt the 4 albums starting with NYC Ghosts & Flowers have become more and more "pop" sounding. The Eternal, is anything but that. More experimentation, more guitar, more to love about the Sonic Youth. Not to say that the last 4 albums were not great music, but they seemed "toned down" to me compared to this (and other) album(s). You'll notice a more aggressive guitar sound and harder drum beats (when compared to the last 3 albums). My personal favourite (and a good example of the new sound) is "Anti-Orgasm". Its a semi-duet between Thurston and Kim, with Kim sounding like she did in "Swimsuit Issue". There is still the "slow and melodic" sounds for those who appreciate that. "Antenna" is one example of this and it sounds like a Sonic Nurse song. You'll hear a good solo on "Thunderclap for Bobby Pyn". Overall, I would give this album a 4.5 out of 5. These guys have been playing for over 30 years with a studio album catalogue spanning 27 years. To create new sounds that they haven't yet thought of simply amazes me. Again. Every album they have made has a unique touch and sound. To true fans, this album is a must-listen, right up there with EJSTNS and EVOL.


Formed: 1981 in New York, NY

Genre: Alternative

Years Active: '80s, '90s, '00s, '10s

Sonic Youth were one of the most unlikely success stories of underground American rock in the '80s. Where contemporaries R.E.M. and Hüsker Dü were fairly conventional in terms of song structure and melody, Sonic Youth began their career by abandoning any pretense of traditional rock & roll conventions. Borrowing heavily from the free-form noise experimentalism of the Velvet Underground and the Stooges, and melding it with a performance art aesthetic borrowed from the New York post-punk avant-garde,...
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