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The Gravel Walk

Tempest

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Album Review

The results of the tinkering that Tempest has conducted on previous albums are unveiled with resounding results. The Gravel Walk achieves a solid balance between their foundational classic '70s rock and folk influences. Lead singer, flautist, and mandolin player Lief Sorbye is no longer the dominant centerstage occupant. His once commanding presence has blended smoothly with that of his bandmates. Most of these fellows have played together for years but are now reaching their height as performers who have settled on their musical blueprint and grown comfortable with it. Particularly well-suited for Tempest's dual-purpose is fiddler Michael Mullen. He is just as adept at incorporating traditional Irish reels ("Flowers of Red Hill") as he is at integrating a searing Robbie Steinhardt-esque electric violin solo. Robert Wullenjohn compares favorably to Jethro Tull guitarist Martin Barre. Many of his mannerisms resemble Barre's, including his well-tempered, crafty but not self-absorbed style. He's forever hovering around each song, preparing to plunge in with an irresistible riff or to playfully insert some humorous fretwork when applicable. As usual, a couple of Norwegian folk songs from Sorbye's vast catalog are included. "Sinclair" is a quaint number sung in Norwegian that, were it not for the English introduction and translation, could easily pass as a harmless courting or seafaring song rather than the conniving and pillaging account of battle that it is. Buried deep in the "Karfluki Set" is yet another version of "Music for a Found Harmonium." An accommodating piece, it lends itself nicely to a variety of arrangements including this funky, free-form, folk-rock assault by Tempest. Bassist Jay Nania and drummer Adolfo Lazo flawlessly provide the rhythm necessary for those versatile jaunts into the wonderful world of "Celtodelia."

Biography

Formed: 1972

Genre: Rock

Years Active: '70s

Forged by Colosseum drummer Jon Hiseman, progressive jazz-rock quartet Tempest appeared on the scene in 1972. Paul Williams, who had done time on bass with both John Mayall's Bluesbreakers and Zoot Money's Big Roll Band and who had sung for Juicy Lucy, provided vocals, jazz fusion legend Allan Holdsworth manned the guitar, and fellow Colosseum member Mark Clark supplied the bass. The group released its self-titled debut in 1973. Williams left the following year and was replaced by guitarist/keyboardist/vocalist...
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The Gravel Walk, Tempest
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