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Della (Remastered)

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Album Review

Della Reese was never a hardcore jazz singer. Her specialty was traditional pre-rock pop, and unlike jazz-oriented singers — Sarah Vaughan, Ella Fitzgerald, and Carmen McRae, among many others — she was not improvisation-minded. Therefore, her work must be judged by pop standards instead of jazz standards. Anyone who isn't a myopic jazz snob realizes that pop standards aren't necessarily low standards; in fact, traditional pop singers like Frank Sinatra, Jo Stafford, Tony Bennett, and the seminal Bing Crosby have had very high standards. And similarly, Reese brings high pop standards to Della. Recorded in 1959, this excellent album finds Reese backed by an orchestra that Neal Hefti arranged and conducted. Hefti's presence doesn't automatically make Della a jazz session, but he provides tasteful arrangements for a pop singer who has jazz, blues, and gospel influences. In 1959, Reese was very much in her prime, and she is quite soulful on performances of "Blue Skies," "Thou Swell," and other standards. The singer also tackles "The Lady Is a Tramp," one of the many gems that Sinatra defined. Reese, to her credit, doesn't even try to emulate Sinatra's version; instead, she provides a playful interpretation that is rewarding in its own right.

Biography

Born: July 06, 1931 in Detroit, MI

Genre: Jazz

Years Active: '50s, '60s, '70s, '80s, '90s, '00s, '10s

Renowned as both a television star and a top-flight interpreter of jazz, blues, R&B, gospel, and straight-ahead pop music, Della Reese's many talents have ensured a long, varied, and legendary show biz career. In addition to being nominated for both an Emmy and a Grammy and receiving a star on the Hollywood Walk of Fame, Reese is also an ordained minister...
Full bio
Della (Remastered), Della Reese
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