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I Want to See the Bright Lights Tonight (Remastered)

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Album Review

In 1974, Richard Thompson and the former Linda Peters released their first album together, and I Want to See the Bright Lights Tonight was nothing short of a masterpiece, the starkly beautiful refinement of the promise of the Thompsons' solo debut, Henry the Human Fly. In Linda Thompson, Richard found a superb collaborator and a world-class vocalist; Linda possessed a voice as clear and rich as Sandy Denny's, but with a strength that could easily support Richard's often weighty material, and she proved capable of tackling anything presented to her, from the delicately mournful "Has He Got a Friend for Me" to the gleeful cynicism of "The Little Beggar Girl." And while Richard had already made clear that he was a songwriter to be reckoned with, on I Want to See the Bright Lights Tonight he went from strength to strength. While the album's mood is decidedly darker than anything he'd recorded before, the sorrow of "Withered and Died," "The End of the Rainbow," and "The Great Valerio" spoke not of self-pity but of the contemplation of life's cruelties by a man who, at 25, had already been witness to more than his share. And though Richard didn't give himself a guitar showcase quite like "Roll Over Vaughn Williams" on Henry the Human Fly, the brilliant solos that punctuated many of the songs were manna from heaven for any guitar enthusiast. While I Want to See the Bright Lights Tonight may be the darkest music of Richard & Linda Thompson's career, in this chronicle of pain and longing they were able to forge music of striking and unmistakable beauty; if the lyrics often ponder the high stakes of our fate in this life, the music offered a glimpse of the joys that make the struggle worthwhile. [2004's deluxe edition of the album included three previously unreleased live tracks, as well as expanded packaging and a full lyric sheet.]

Biography

Born: April 03, 1949 in Notting Hill, London, England

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

For years, Richard Thompson resided in relative obscurity, while at the same time garnering vast critical praise for his magnificent guitar work and the dark wit and richness of his extraordinary songwriting. A founding member of the seminal British folk-rock group Fairport Convention, he remained with the band for five studio albums -- Fairport Convention (1968), What We Did on Our Holiday (released as Fairport Convention in the U.S.) (1968), Unhalfbricking (1969), Liege and Lief (1969), and Full...
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