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iTunes Review

Singer/songwriter Kathleen Edwards moves beyond roots-rock on her fourth release. Lush production and a full, robust sound give Voyageur a different scope and feel than her previous work, with her usual stripped-down arrangements replaced by layers of organ, tremolo guitars, and thick vocal harmonies. Her songwriting is equally ambitious. There’s palpable weariness in these songs but also a desire for catharsis. The delicate “A Soft Place to Land” and “House Full of Empty Rooms” deal directly with heartbreak, while the music's urgency in “Chameleon/Comedian” and “Going to Hell” contrast the vulnerable vocals. The forlorn “Pink Champagne” features hazy ambient noise, the orchestral “Change the Sheets” builds to a full-blown chorus, and “Sidecar” and “Mint” come closest to the guitar-based Americana she’s best known for. Coproduced by Bon Iver's Justin Vernon, Voyageur does carry some trademarks of his sound (namely the sonic density), yet it’s clearly Edwards’ show.

Customer Reviews

loves it

House full of empty rooms is my fav. The whole album is great.


I love this album. Her best work.


Absolutely gorgeous. Can't get enough of this amazing woman.


Born: 1979 in Ottawa, Ontario, Canada

Genre: Rock

Years Active: '90s, '00s, '10s

A fixture on the Americana landscape, Kathleen Edwards was born in Ottawa, Canada, the daughter of foreign service parents who played piano and guitar in their spare time. At five, Edwards began to study classical violin, which continued through her early teens. At that point, the Edwards family moved overseas. Removed from the influence of mainstream North American pop music, Edwards delved into her older brother's collection of Bob Dylan, Neil Young, and early Tom Petty records. After high school,...
Full bio
Voyageur, Kathleen Edwards
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Customer Ratings