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DaVinci Resolve Lite

By Blackmagic Design Inc

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Description

Professional editing and color grading in one application.

DaVinci Resolve combines the world’s most advanced color corrector with professional multi track nonlinear video editing. You can switch between editing and grading with a click of the mouse for a true nonlinear workflow. Now you can edit, finish and grade faster than ever before, all from one system!

With its Emmy™ Award-winning ultra wide dynamic range 32-bit float YRGB image processing, real-time GPU accelerated performance, and real time support for more native RAW formats than any other application, Resolve produces stunningly beautiful images that no other system can match!

DaVinci Resolve has all of the creative tools you need to work on everything from indie films to the largest Hollywood blockbusters!

SYSTEM REQUIREMENTS
Current model OpenCL based graphics with a minimum of 2GB of graphics memory, >4GB recommended. A fast hard disk for video, 16GB of system memory, Mac OS X 10.8.5 or higher, at least a 1680 x 1050 resolution display.

Differences Between DaVinci Resolve Lite and the Full Version
• Timeline and render resolution is limited to Ultra HD 4K
• Supports 2 GPUs on late 2013 MacPro and only 1 processing GPU on all other Macs
• Limited 3rd-party hardware control panel support
• No collaborative multi-user workflow features
• No 3D Stereoscopic grading tools
• No advanced spacial and temporal noise reduction
• No motion blur effects
• No realtime PowerMastering; all output must be rendered
• No database server; single user installation only
• No remote control or grading over the internet

EDITING FEATURES
• Familiar multi-track timeline
• Separate bins for media & timelines
• Searchable metadata & edit index
• Insert, Overwrite, Fit to Fill, Superimpose, Add, Extend & Trim edits
• 2 & 3 point edits, split a/v edits, J & L cuts
• Context sensitive Ripple, Roll, Slip & Slide trim tools
• JKL Dynamic asymmetric & symmetric trimming
• Match frame & reverse match frame
• Mouse or keyboard editing with programmable shortcuts
• 2up & 4up displays for editing & trimming
• Track targeting & locking
• Flags & markers
• Optical flow speed changes & time remapping
• Keyframe inspector & curve editor in timeline
• Copy & Paste attributes
• Through-edit indicators & join edit command
• Multiple dissolves, inc. film style
• Sub-clipping
• Audio waveforms, mixer & filters
• Rich Text titling with professional typography controls
• Customizable stroke, background, outlines & shadows on titles

COLOR CORRECTION FEATURES
• Unlimited grades with intuitive node based workflow
• Primary correction with wheels, YRGB sliders, RGB Mixer, curves & log grading
• Complete RAW control with highlight & shadow recovery, white balance & more
• Color Match auto balancing with support for industry standard color charts
• Unlimited Secondary corrections to isolate specific parts of image
• PowerWindows™ with basic shapes & custom shape tools
• Professional video scopes
• 3D multipoint tracking locks grades to moving objects
• 3D multipoint stabilization
• Internal & external key/matte support
• Gallery to store frames, grades and preset “looks"
• Clip, group, or entire timeline grading
• Keyframes for animating changes over time
• ACES colorspace v0.7.1
• 1D & 3D LUT support
• Split-screen for comparing shots
• Copy & paste grades between clips & across projects
• Dirt & dustbusting correction tools

INTEROPERABILITY & COMPATIBILITY
• Final Cut Pro 7, Final Cut Pro X and Premiere Pro XML import/export
• Multitrack AVID AAF support
• Automatic XML, AAF and EDL conforming of online clips
• Import & export of ASC CDLs (Color Decision List)
• Native RAW support for ARRI, RED, Sony, Cineform & CinemaDNG files
• Uncompressed RGB & YUV
• H.264, HDV, DVCPRO, DVCPROHD, XDCAM & DV video
• DPX, Cineon, TIFF & multi-layer OpenEXR post production digital cinema files
• Avid DNxHD support in both MXF & QuickTime formats
• Full ProRes format support
• Supports UltraStudio video I/O

What's New in Version 11.1.4

Media Page

• Drag and drop of folder from Media Storage to Media Pool bin area preserves hierarchy
• Additional Media Pool context menu: Reveal in Media Library
• Subframe audio slipping for sync audio with shift left/right arrow shortcut
• Performance improvements with Avid ISIS shared storage for better media and project collaboration

Edit Page

• Swap Edit via Cmd+Shift drag and Partial Swap via Cmd+Option drag
• Trim support for Quicktime and MXF clips
• Double click on a timeline clip to edit extents by changing in/out points in Source Viewer
• Hold the shift key when adjusting Mark In/Out to slip shot in Source Viewer
• Alt + Double click on a timeline clip to perform a match frame operation
• Gap Trimming
• Improved support for FCP X exported compound clips including multi-cam and sync clips
• Native mixed frame rate support for compound clips
• Bezier support for imported FCP X speed changes
• Support for FCP X Import retime selection e.g. frame blending, optical flow
• Improved AAF keyframe bezier and cubic interpolation
• Full screen timeline option
• Independent track heights
• Selectable Safe-area outlines
• Fade In/Out opacity sliders
• Decompose compound clip in place
• Renaming of compound clips
• Improved asymmetric editing in trim mode
• Allow transitions to be added to multiple selected clips via Cmd+T
• Find Source Viewer clip in Media Pool via Option+F
• ColorTrace support for copying Group grades
• ColorTrace CDL improvements to specify DRX filenames for loading full Resolve grades
• Alt+Click to expand/collapse Edit Inspector and OFX Parameter Panels

Color Page

• Object tracking and stabilization for compound clips
• Second layer input for OFX plugins
• Ability to pick colours in the viewer for OFX plugins
• Alt+Click to expand/collapse OFX Parameter Panels
• Group menu options to load/delete/rename groups
• DSC Labs ChromaDuMonde 24+4 chart support for Color Match

General Enhancements

• Support for visually lossless compressed DNG raw clips
• Support for Panasonic Varicam vRaw and AVC-I
• Color decode improvements for Phantom CINE RAW files
• Phantom Cine Log gamma selection in camera raw settings
• Update to Red SDK 5.1 and D.E.B. control
• VFX I/O LUTs for Gamma 2.2 and Gamma 2.4
• OpenCL support for Linux to support AMD GPUs
• NVIDIA CUDA performance improvements
• Added support for Dolby Vision image processing
• Swap primary monitor option
• Added ability to render locked shared projects
• Mapping updates for Tangent Elements Panel
• Support for OxygenTec Panel
• General performance improvements

Screenshots

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Customer Reviews

Impossible sur iMac

DRL ne fonctionne qu’avec des machines très récentes, iMac 2010, oubliez ça!

DaVinci Resolve Lite
View in Mac App Store
  • Free
  • Category: Video
  • Updated:
  • Version: 11.1.4
  • Size: 161 MB
  • Seller:

Compatibility: OS X 10.9.5 or later, 64-bit processor

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