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In 1976, the New York premiere of Philip Glass and Robert Wilson’s “Einstein on the Beach” captivated audiences, polarized critics and put both artists on the map of contemporary performance art. In four-and-a half hours, its famously reductive score, enigmatic text and limpid, tensile choreography (by Lucinda Childs) teases out the meaning of the time/space continuum.

Geoffrey Rush is one of Australia’s most celebrated exports, a protean character actor whose roles have ranged from the mentally frail pianist David Helfgott (his Oscar-winning performance in “Shine”) to George VI’s speech therapist Lionel Logue (“The King’s Speech”) to the Marquis de Sade (“Quills”).   

Host and curator Amanda Stern concluded this season’s Happy Ending Music & Reading series at Joe’s Pub on July 11 with an evening themed around “communication.” 

“If you are going to go through hell, keep going.” This is just one of the many robust adages coined by Sir Winston Churchill during World War II.

A new exhibition at the Morgan Library & Museum called “Churchill:  The Power of Words,” which showcased his long, celebrated career as a statesman, writer, and orator, opened on Friday.

The PEN America Center’s organizational focus is the effect of world events on the safety and freedom of expression of writers, so the topic of war naturally looms large in its cultural consciousness. As part of the recent PEN World Voices Festival, Polish journalist and author Wojciech Jagielski was interviewed by Joel Whitney, a founding editor of Guernica: A Magazine of Art & Politics. 

The 2012 PEN World Voices Festival ended with a talk about censorship at the Cooper Union by novelist Salman Rushdie (Midnight's Children, The Satanic Verses).

After the speech, the PEN festival founder had a conversation with writer Gary Shteyngart (The Russian Debutante's Handbook, Super Sad True Love Story).