Der iTunes Store wird geöffnet.Falls iTunes nicht geöffnet wird, klicken Sie auf das iTunes Symbol im Dock oder auf dem Windows Desktop.Progress Indicator
Der iBooks Store wird geöffnet.Falls iBooks nicht geöffnet wird, klicken Sie im Dock auf die iBooks-App.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

iTunes wurde auf Ihrem Computer nicht gefunden. Jetzt iTunes laden, um Hörproben von Polk von Tracker abzuspielen und diese Titel zu kaufen.

iTunes ist schon installiert? Klicken Sie auf „Ich habe iTunes“, um es jetzt zu öffnen.

I Have iTunes Gratis-Download
iTunes für Mac + PC


Öffnen Sie iTunes, um Hörproben zu wählen und Musik zu kaufen und zu laden.


If the songs on Ames wandered through a variety of desolate landscapes, Polk is all of a piece. Granted, the second Tracker album does occupy the same general geographical region (not to mention the same shaggily resplendent musical headspace) as its predecessor, a woozily imagined West-of-wherever, as deserted and forbidding a place as it is open to possibilities, just waiting to be road-tested. But it also sketches the passing imagery with a photographic vibrancy at times lacking on the otherwise outstanding Ames, producing an even more enticing and textured album and rendering the experience of exploring it even more hypnotic. John Askew's songs — no longer exactly parched and scruffy ghost towns, but every bit as delirious, sun-sapped, and caked in dust — again do a gorgeous job of tracing the psychic pathways through a panorama where the horizon is always miles off in the distance, but he also adds a fresh sense of grandeur, employing a greater range of stylistic color and subtle shifts in tone and texture. There are still old-timey gestures — brittle banjos, freak-show organs, noir tempos — shot through songs like "Nova, Pt. 1" and its sequel "Bodyhead," and the magnificent "The Swimmer." And Tracker's penchant for brewing intoxicating sound paintings is more potent than ever, as on the instrumental "Somber Reptiles," a remarkable haze of pedal steel, reverb, acidic guitar brushstrokes, sky-wide bass, and drumming like hot gusts of wind. But there is also a Mercury Rev-like majesty to Polk, especially evident in songs like "Distance Is the Sun" and "Chemistry," a brightness constructed out of the bleakness and emboldened with optimistic xylophones, pianos, and feedback. Even in its most forlorn moments, it is an unstintingly lovely trip.


Geboren: 1998

Genre: Rock

Jahre aktiv: '90s, '00s

A freelance engineer at Type Foundry Recording in Portland, OR, and a writer for Tape-Op magazine at the time, John Askew began Tracker as a studio project in early 1998. He recorded, wrote, and played most of the instruments himself and Tracker released its debut album Ames at the beginning of 2000 on FILMguerrero. Minus a band for performing purposes, Askew put together a handful of different live outfits. The results were loose and spontaneous, with Tracker varying from gig to gig. But Askew soon...
Komplette Biografie
Polk, Tracker
In iTunes ansehen


Wir haben noch nicht genügend Bewertungen erhalten, um einen Durchschnittswert für diesen Artikel anzeigen zu können.