iTunes

Der iTunes Store wird geöffnet.Falls iTunes nicht geöffnet wird, klicken Sie auf das iTunes Symbol im Dock oder auf dem Windows Desktop.Progress Indicator
Der iBooks Store wird geöffnet.Falls iBooks nicht geöffnet wird, klicken Sie im Dock auf die iBooks-App.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

iTunes wurde auf Ihrem Computer nicht gefunden. Jetzt iTunes laden, um Hörproben von Under My Skin (Bonus Track Version) von Avril Lavigne abzuspielen und diese Titel zu kaufen.

iTunes ist schon installiert? Klicken Sie auf „Ich habe iTunes“, um es jetzt zu öffnen.

I Have iTunes Gratis-Download
iTunes für Mac + PC

Under My Skin (Bonus Track Version)

Öffnen Sie iTunes, um Hörproben zu wählen und Musik zu kaufen und zu laden.

Albenrezension

Part of Avril Lavigne's appeal — a large part of it, actually — is that she's a brat, acting younger than her 17 years on her 2002 debut, Let Go, and never seeming like she much cared about the past (she notoriously mispronounced David Bowie's name when reading Grammy nominations), or anything for that matter. She lived for the moment, she partied with sk8er boiz, she didn't want anything complicated, and she sang in a flat, plain voice that illustrated her age as much as her silly, shallow lyrics. Those words got disproportionate attention because they were so silly and shallow, but most listeners just didn't care because, thanks to producer gurus the Matrix, they were delivered in a shiny package filled with incessant, nagging hooks — a sound so catchy it came to define the mainstream not long after Let Go hit the radio. The Matrix became ubiquitous on the strength of their work with Lavigne, who herself became a big star, earning constant play on radio and MTV, kick-starting a fashion trend of ties-n-tank tops for girls and inexplicably providing a touchstone for indie rock queen Liz Phair's mainstream makeover. Fame, however, didn't pull the two camps together; it pushed them their separate ways, as the Matrix went on to record their own album and Lavigne decided to turn serious, working with a variety of co-writers and producers, including fellow Canadian singer/songwriter Chantal Kreviazuk, for her second album, 2004's Under My Skin. Lavigne hasn't only shed her trademark ties for thrift-shop skirts, she's essentially ditched the sound of Let Go, too, bringing herself closer to the mature aspirations of fellow young singer/songwriter Michelle Branch. Since Lavigne is still a teenager, and still a brat, it's livelier than Branch's. Even when it sags under minor keys and mid-tempos, it's fueled on teen angst and a sense of entitled narcissism, as if she's the first to discover the joys of love and the pain of heartache. In a sense, she comes across as Alanis Morissette's kid sister, especially now that the Matrix are gone and the hooks have been pushed to the background for much of the record; it's the teen spin on Supposed Former Infatuation Junkie, where she's self-consciously trying to grow as an artist. Naturally, this means that Under My Skin is less fun than Let Go since there's nothing as giddy as "Sk8er Boi," even if much of it is written from a similarly adolescent vantage point. Lavigne's collaborators, Kreviazuk and Evan Taubenfeld chief among them, have helped streamline her awkward writing, and her performances are also assured, which almost makes up for the thinness of her voice, which sounds far younger than the meticulous arrangements around it. So, Under My Skin is a bit awkward, sometimes sounding tentative and unsure, sometimes clicking and surging on Lavigne's attitude and ambition. But it's telling that the one song that really catches hold on the first listen and stands out on repeated spins is "He Wasn't," the fastest, loudest, catchiest, and best song here, and the one closest to the spirit and sound of Let Go — it's not that Lavigne hasn't matured; it's that her talents are better suited on music that's a little less contemplative and deliberate than Under My Skin. [This version of the album include a bonus track, "I Always Get What I Want."]

Kundenrezensionen

nett

also das Album ist ganz, okay. Für mein geschmack das beste das Avril je rausgebracht hat^^

Fan

eines meiner lieblings alben. jeder song ist ein genuss, zum zuhören. schaade das avril keine solchen alben mehr zustande bringt.

toll toller avril!!!!!!!!

ich finde das bis jetzt das beste album von avril (die anderen waren natürlich auch spitze) es ist alles dabei was meinem geschmack navch ein gutes album braucht!! Etwas das zum nachdenken anregt oder bei dem zurück lehnen kann und sich entspannt.:-)

Biografie

Geboren: 27. September 1984 in Belleville, Ontario, Canada

Genre: Pop

Jahre aktiv: '00s, '10s

Avril Lavigne first appeared in summer 2002, touting an addictive debut single (the spunky pop/rock gem "Complicated") and a skatepunk image that purposely clashed with the polished glamour of mainstream pop. Lavigne, who was 17 at the time, quickly rose to teen idol status, selling several million copies of her debut album, Let Go (the best-selling album by a female artist in 2002), while inspiring a genuine fashion craze with her penchant for tank tops and neckties. As the decade progressed, so...
Komplette Biografie