iTunes

Der iTunes Store wird geöffnet.Falls iTunes nicht geöffnet wird, klicken Sie auf das iTunes Symbol im Dock oder auf dem Windows Desktop.Progress Indicator
Der iBooks Store wird geöffnet.Falls iBooks nicht geöffnet wird, klicken Sie im Dock auf die iBooks-App.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

iTunes wurde auf Ihrem Computer nicht gefunden. Jetzt iTunes laden, um Hörproben von [?] abzuspielen und diese Titel zu kaufen.

iTunes ist schon installiert? Klicken Sie auf „Ich habe iTunes“, um es jetzt zu öffnen.

I Have iTunes Gratis-Download
iTunes für Mac + PC

Johnny Dunn

In iTunes ansehen

Um eine Hörprobe eines Songs abzuspielen, fahren Sie mit der Maus über den Titel und klicken Sie auf die Wiedergabe-Taste. Öffnen Sie iTunes, um Musik zu kaufen und zu laden.

Biografie

Before Louis Armstrong arrived in New York in 1924, Johnny Dunn was considered the top cornetist in the city. His staccato style, double-time effects and utilization of wah-wah mutes gave him notoriety for a time. Dunn had attended Fisk University in Nashville and had a solo act in Memphis before being discovered by W.C. Handy. He joined Handy's band in 1917 and during the next three years became known for his feature on "Sergeant Dunn's Bugle Call Blues" (which later became the basis for "Bugle Call Rag"). A pioneer with plunger mutes, Dunn's double-time breaks, with their inflexible and jerky rhythms, had a direct link to military bands. He recorded with Mamie Smith in 1920-1921, leaving in the latter year to lead his own Original Jazz Hounds. From 1921-1923, the cornetist recorded frequently, both with his own group and backing singer Edith Wilson. He joined Will Vodery's Plantation Orchestra in 1922, visiting Europe with the revue Dover to Dixie the following year. However, the Chicago musicians were much farther advanced than Dunn and once Louis Armstrong began influencing brassmen with his swinging, legato solos for Fletcher Henderson, Dunn was instantly out of date. After visiting Europe again (this time with the Blackbirds of 1926 show), Dunn briefly led his own big band and then in 1928 made his finest recordings, four numbers with Jelly Roll Morton and two with both James P. Johnson and Fats Waller on pianos. Strangely enough, he never recorded again, moving permanently to Europe, where he played with Noble Sissle in Paris, worked with his own group (the New Yorkers) mostly in Holland, and was largely forgotten before his early death. All of Johnny Dunn's recordings, other than his Mamie Smith sides, are on two RST CDs.

Toptitel

Geboren:

19. February 1897 in Memphis, TN

Genre
Jahre aktiv:

'20s

Zeitgenossen