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Air Force One (Original Motion Picture Soundtrack)

Jerry Goldsmith

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Reseña de álbum

After director Wolfgang Petersen rejected Air Force One's first completed score — Randy Newman's work was reportedly deemed too dark and insufficiently patriotic — Jerry Goldsmith was brought in as a replacement, and while it hardly feels like a rush job, the completed project remains one of Goldsmith's lesser efforts. For better or worse, he delivers on everything Newman did not. This Air Force One is undeniably rousing and shamelessly jingoistic, but it also recycles ideas and approaches from earlier, better Goldsmith scores to diminishing returns. His consummate mastery of the action genre remains astonishing — the eight-minute "The Hijacking" is a veritable master class in suspense — but the scarcity of new and compelling ideas dilutes the music's overall impact.

Biografía

Nacido(a): 10 de febrero de 1929 en Los Angeles, CA

Género: Bandas sonoras

Años de actividad: '50s, '60s, '70s, '80s, '90s, '00s

For over four decades, Jerry Goldsmith ranked among the film and television industry's most highly-regarded and prolific composers; at the peak of his activity during the 1960s, he was estimated to have scored an average of about six films annually. Born in Los Angeles on February 10, 1929, Goldsmith studied music at the University of South Carolina, and after accepting a job as an office clerk at CBS television later graduated to the network's music department in 1950. There he composed themes for...
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Air Force One (Original Motion Picture Soundtrack), Jerry Goldsmith
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