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Baselines

Bill Laswell

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Reseña de álbum

Even though Bill Laswell was already immersed in numerous projects since the end of the '70s, including leading his loose ensemble Material, he didn't release a solo record until 1983, and Baselines was quite a strange album. On the one hand, there's "Upright Man," one of the most infectious grooves Laswell has ever conceived, boasting ace bass playing and a weird taped sermon as sort-of lead vocals. Then there's "Work Song," which is funky and catchy and features Phillip Wilson's somewhat off-beat drumming (pun intended). The other tracks are more experimental, weird, and don't catch on as well — although they all reward repeated listening, for at first the listener might get lost between Ronald Shannon Jackson's irate drumming, Michael Beinhorn's acid-drenched synths and snippets of tapes and shortwave, the stuttering horns of George Lewis and Ralph Carney, the undescribable contributions of Fred Frith, and the vocalisms and percussion (rhythmic and non-rhythmic) David Moss provides. It's an interesting record, but it's not essential listening, and beginners or fans of Laswell's less avant-garde music won't get much out of this. If the somewhat comparable Memory Serves by Material left you craving more, you might want to give this album a try.

Biografía

Nacido(a): 12 de febrero de 1955 en Salem, IL

Género: Electrónica

Años de actividad: '70s, '80s, '90s, '00s, '10s

A longtime linchpin of the New York City underground music scene, Bill Laswell has been among the most prolific artists in contemporary music; as a performer, producer, and label chief, his imprint is on literally hundreds of albums, the majority of them characterized by a signature sound fusing the energy of punk with the bone-rattling rhythms of funk. Born on February 12, 1955, in Salem, IL, he initially played guitar, but soon switched to bass; raised primarily in the Detroit area, he honed his...
Biografía completa
Baselines, Bill Laswell
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