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The Genius of Komeda

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Reseña de álbum

A product of the same Swedish pop scene which spawned the equally effervescent Cardigans and Cloudberry Jam, The Genius of Komeda is another outstanding export, a bright and charmingly kitschy ode to space-age popcraft. Comparisons to Stereolab are certainly warranted, particularly on tracks like "Disko" and "Frolic" (with their "ba-ba-ba" backing vocals and futuristic effects), but Komeda's melodic smarts and cinematic aesthetic are all their own; tracks like the opening "More Is More" and "Rocket Plane (Music on the Moon)" are immediately ingratiating, and further buoying the album is the band's sharp, tongue-in-cheek wit — theirs is a joke well worth being in on.


Se formó en: 1991

Género: Rock

Años de actividad: '90s, '00s

Named in honor of Krzysztof Komeda, the late jazz musican/film composer best known for his work with Roman Polanski and Ingmar Bergman, the Swedish kitsch-pop outfit Komeda originated in 1991 as the pit band for a Buster Keaton festival. A series of other festival performances followed, with the quartet — comprised of vocalist Lena Karlsson, guitarist Mattias Nordlander, bassist Marcus Holmberg and Holmberg's brother Jonas on drums — often renaming themselves Projektor 7 for their cinema-related...
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The Genius of Komeda, Komeda
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