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A Possible Projection of the Future / Childhood's End

Al Kooper

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Reseña de álbum

As with virtually everything he's ever released, Al Kooper's A Possible Projection of the Future/Childhood's End is superbly produced — it also sounds a bit different from his other early solo albums, having been recorded mostly in London rather than in New York City. Musically, it's a tiny bit more shaky than one is accustomed to, at least for the first track. Then he slips into a soul groove that is still one of the most extraordinary sounds you'll ever hear from any white artist. Whether he's doing an original song or covering Curtis Mayfield ("The Monkey Time"), Smokey Robinson ("Swept for You Baby"), or Bob Dylan ("The Man in Me"), Kooper is a figure transformed and transcendent through most of this album, delivering an achingly poignant and charismatic performance. The opening number is the only weak moment on the album, a cold, mechanical number that doesn't fit with anything else here, but beyond that everything is essential listening.

Biografía

Nacido(a): 05 de febrero de 1944 en Brooklyn, NY

Género: Rock

Años de actividad: '60s, '70s, '80s, '90s, '00s

Al Kooper, by rights, should be regarded as one of the giants of '60s rock, not far behind the likes of Bob Dylan and Paul Simon in importance. In addition to co-writing one classic mid-'60s pop-rock song, "This Diamond Ring" (though it was written as an R&B number), he was a very audible sessionman on some of the most important records of mid-decade, including Bob Dylan's "Like a Rolling Stone." Kooper also joined and led, and then lost two major groups, the Blues Project and Blood, Sweat &...
Biografía completa
A Possible Projection of the Future / Childhood's End, Al Kooper
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  • USD 9.90
  • Géneros: Pop, Música
  • Publicado: 1972

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