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Rainbow Mist

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Hawkins was always an open-minded musician. A very advanced player even when he first emerged with Fletcher Henderson's orchestra in the '20s, by the '40s he may have been technically middle-aged but remained a young thinker. For his recording session of February 16, 1944, the great tenor invited some of the most promising younger players (including trumpeter Dizzy Gillespie, bassist Oscar Pettiford, and drummer Max Roach) and the result was the very first bebop on records. During their two sessions, the large ensemble recorded six selections, including Gillespie's "Woody'n You," Hawk's "Disorder at the Border," and a new treatment of "Body and Soul" by the tenorman that he retitled "Rainbow Mist." Also on this highly recommended CD are four titles matching together the tenors of Hawkins, Ben Webster, and Georgie Auld (with trumpeter Charlie Shavers included as a bonus) and a session from Auld's big band, highlighted by Sonny Berman's trumpet solo on "Taps Miller."

Biografía

Nacido(a): 21 de noviembre de 1904 en St. Joseph, MO

Género: Jazz

Años de actividad: '20s, '30s, '40s, '50s, '60s

Coleman Hawkins was the first important tenor saxophonist and he remains one of the greatest of all time. A consistently modern improviser whose knowledge of chords and harmonies was encyclopedic, Hawkins had a 40-year prime (1925-1965) during which he could hold his own with any competitor. Coleman Hawkins started piano lessons when he was five, switched to cello at age seven, and two years later began on tenor. At a time when the saxophone was considered a novelty instrument, used in vaudeville...
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Rainbow Mist, Coleman Hawkins
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