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Reseña de álbum

With Black Rock, Canadian composer Michael Brook applies the same approach he used in his two Real World collaborations with Pakistani singer Nusrat Fateh Ali Kahn (Mustt Mustt and Night Song) to a new relationship with Armenian duduk specialist Djivan Gasparyan. This partnership proves to be more consistently fruitful than the first, producing a record of dazzling eclecticism and uncommon soulfulness. Gasparyan's duduk, an ancient instrument similar to the oboe, has an extraordinary range of expression: It exudes a heart-rending plangency on the mournful "Fallen Star," seductive sensuality on "Forbidden Love," and languid serenity on "Together Forever." Gasparyan also sings on the record, lending the gentle warmth of his voice to the textured instrumental work. Brook's arrangements — consisting primarily of keyboards, light drums, and evocative ambient electric guitars — bring a contemporary edge to the ancient mystery and emotiveness that characterize Gasparyan's work. Black Rock is open to the same criticisms of cultural exploitation that plagued the Nusrat Fateh Ali Kahn albums, but one hopes that this fascinating cultural hybrid will be accepted on its own terms as a rich and expressive new creation.


Nacido(a): 1929 en Solag, Armenia

Género: Músicas del mundo

Años de actividad: '40s, '50s, '60s, '70s, '80s, '90s, '00s, '10s

The acknowledged master of the Armenian reed instrument known as the duduk, Djivan Gasparayan was born just outside of the nation's capital city of Yerevan, first picking up the instrument at age six. After joining the Tatool Altounian National Song and Dance Ensemble in 1948, his first professional engagement was as a soloist with the Yerevan Philharmonic Orchestra; Gasparayan later went on tour extensively throughout Europe, Asia, the Middle East, and the United States, and in 1973 was the first...
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Black Rock, Djivan Gasparyan
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