Gerry Mulligan Meets Johnny Hodges
Gerry Mulligan & Johnny Hodges
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||Bunny||Gerry Mulligan & Johnny Hodges||5:43||USD 0.99||Ver en iTunes|
||What's the Rush||Johnny Hodges & Gerry Mulligan||3:42||USD 0.99||Ver en iTunes|
||Back Beat||Johnny Hodges & Gerry Mulligan||7:28||Sólo con álbum||Ver en iTunes|
||What It's All About||Gerry Mulligan & Johnny Hodges||4:01||USD 1.29||Ver en iTunes|
||18 Carrots for Rabbit||Johnny Hodges & Gerry Mulligan||5:14||USD 0.99||Ver en iTunes|
||Shady Side||Gerry Mulligan & Johnny Hodges||7:04||Sólo con álbum||Ver en iTunes|
Reseña de álbum
Gerry Mulligan's 1959 studio date with Johnny Hodges is one of the most satisfying sessions of his various meetings with different saxophonists for Verve, yet it was inexplicably the last to be made available on CD. With a hand-picked rhythm section consisting of pianist Claude Williamson, bassist Buddy Clark, and drummer Mel Lewis, and three originals contributed by each of the two leaders, everything gels nicely, though several tracks took more than three takes (in spite of liner note writer Nat Hentoff's assertions) to reach their final form. Mulligan contributed the gorgeous ballad "What's the Rush" (where he sat back to enjoy Hodges' solo and never plays his own horn), the easygoing swinger "Bunny," and the brisk cooker "18 Carrots (For Rabbit)," the latter which its composer would revisit with his Concert Jazz Band. The veteran alto saxophonist contributed the low-key ballad "Shady Side," the sassy blues "Back Beat" (later re-recorded by Hodges during a still unreleased 1960 studio meeting with Ben Webster), and "What It's All About," another potent blues. Throughout the date, the two saxophonists blend beautifully and complement one another's efforts, even though this was their only opportunity to record together in the studio. Sadly, no alternate takes or unissued numbers (at least two of which exist) have been added to this long anticipated reissue.
Nacido(a): 06 de abril de 1927 en New York, NY
Años de actividad: '40s, '50s, '60s, '70s, '80s, '90s