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Peculiar Situation

Earl Klugh

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Reseña de álbum

Windham Hill's eagerness to become one of smooth jazz's top labels has led them to sign a handful of influential masters of the form. They couldn't have placed a surer bet than on Earl Klugh, whose snappy acoustic style first hit the airwaves in the mid-'70s. While he's experimented a few times in recent years with orchestral projects, his Peculiar Situation finds him for the most part mining familiar and friendly territory. The sharp crisp melody over a thick, rolling bass groove on the title cut (with the occasional synth flourish at the end of the chorus part) characterizes his overall funk approach, while the graceful high-toned melody that leads "Southern Dog" is classic Klugh balladry. One of his more unique traits is how he modulates his strings; the melody line on the title track features a high tone, and his solo improvisation delves into the lower registers. Klugh has long enjoyed sampling the worldbeat experience, getting his fill here with the galloping samba basslines, vibes harmonies, conga line festivity, and call and response African-flavored vocals on "Desert Paradise." Roberta Flack is on board for his first ever vocal track, her easy honey voice all but melting upon his subtle string harmonies on "Now and Again."

Biografía

Nacido(a): 16 de septiembre de 1953 en Detroit, MI

Género: Jazz

Años de actividad: '70s, '80s, '90s, '00s, '10s

An acoustic guitarist with a very pretty tone, Earl Klugh does not consider himself a jazz player and thinks of Chet Atkins as being his most important influence. Klugh played on a Yusef Lateef album when he was 15 and gained recognition in 1971 for his contributions to George Benson's White Rabbit record. He played regularly with Benson in 1973, was briefly a member of Return to Forever in 1974, and then in the mid-'70s began recording as a leader. After a couple well-received solo albums on different...
Biografía completa
Peculiar Situation, Earl Klugh
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