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Yeah Ghost

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Reseña de álbum

Studio mainstays for well over a decade, Zero 7's Henry Binns and Sam Hardaker can wring an expert production from nearly any song, whether it's synth-based or band-based, instrumental or vocal, unadulterated pop or colored with some other genre shade thereof. Their fourth album as Zero 7 includes all of those approaches, so file it as another in a career of ever-evolving records that have moved them from chilled downbeat into dynamic alternative pop. A dedicated rhythm section appears on half the record, accentuating the feel that this is a band record — albeit impeccably produced — with an array of guests taking vocal turns. As before, the songs are written well and the guest vocalists are selected with care, but they're usually overwhelmed by the numerous production touches. Each song is a variation on the pop form, whether it's straight commercial pop on "Mr McGee," neo-soul on "Medicine Man," folkie introspection on "Swing," or starburst electronica on "Pop Art Blue." The best and most natural blend occurs on "Everything Up (Zizou)," which has a bit of indie guitar over its sheen of electronic pop, with vocals from Binns himself and the most impressive of the guests, Eska (who sings over five tracks total). Though Zero 7 are still not in the same class as Air (or even Phoenix), Yeah Ghost is an enjoyable record that shows them apparently on the way to something more unique.

Biografía

Se formó en: 1997 en London, England

Género: Electrónica

Años de actividad: '90s, '00s, '10s

The men behind the European downtempo outfit Zero 7 — producers Henry Binns and Sam Hardaker — launched their careers in the music industry as tea boys at a London recording studio. Shortly thereafter, however, both were in the thick of action, working alongside a string of well-known British musicians such as the Pet Shop Boys and Robert Plant. They spent the best part of the '90s honing their production skills behind the scenes....
Biografía completa
Yeah Ghost, Zero 7
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